Mikhail Iampolski (New York University) retraces the genealogy of the cinematic man starting with Soviet films of the 1920s, and ending with contemporary Russian cinema.
Russian director Sergei Loznitsa speaks about the political dimension of his work, and his upcoming feature In the Fog that will compete for the Palme d’Or in Cannes.
In his essay on the Polaroids of Andrei Tarkovsky, Gawan Fagard draws parallels between the ontology of the medium and the work of the Russian director.
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