Kirill Serebrennikov’s Summer (Leto, 2018)

Vol. 86 (Summer 2018) by Daniil Lebedev
Kirill Serebrennikov transcends the antagonisms dominating Russia in his summer movie set in the Soviet 1980s rock scene.

Sonja Prosenc’s History of Love (Zgodovina ljubezni, 2018)

Vol. 86 (Summer 2018) by Colette de Castro
Sonja Prosenc is back at Karlovy Vary with a disappointing follow-up to her dreamy debut The Tree.

Sonja Prosenc on History of Love

Vol. 86 (Summer 2018) by Editors
We met Slovenian filmmaker Sonja Prosenc in Karlovy Vary, where her latest feature screened in the main competition.

Sergei Loznitsa’s Donbass (2018)

Vol. 85 (May 2018) by Zoe Aiano
In his latest film, Loznitsa dwells on the cacophony and chaos of the Donbass region.

Adina Pintilie’s Touch Me Not (2018)

Vol. 85 (May 2018) by Zoe Aiano
In her experimental and personal feature that won her the main award at the 2018 Berlinale, Adina Pintilie meditates on the theme of intimacy.

Lukáš Kokeš & Klára Tasovská’s Nothing Like Before (Nic jako dřív, 2017)

Vol. 85 (May 2018) by Alice Heneghan
Lukáš Kokeš and Klára Tasovská took to a Czech border town to portray four local students in the lead up to their final exams.

Aleksei German Jr.’s Dovlatov (2018)

Vol. 83 (March 2018) by Daniil Lebedev
Aleksei German Jr. follows the recent trend of biopics with his portrait of Armenian-Jewish writer Sergei Dovlatov.

Jan Gebert’s When the War Comes (Až přijde válka, 2018)

Vol. 82 (February 2018) by Zoe Aiano
Jan Gebert’s film documents the synchronous radicalization and normalization of a Slovak right-wing militia.
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