• Perspectives
  • Retrospectives
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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE

Perspectives
The latest in Central, Eastern and South-Eastern European cinema.

Review

Norika Sefa’s Looking for Venera (Në kërkim të Venerës, 2021)

Vol. 112 (February 2021) by Jack Page
Norika Sefa's debut feature is an impressive take on femininity, coming-of-age stories and town life.
Review

Dea Kulumbegashvili’s Beginning (Dasatskisi, 2020)

Vol. 112 (February 2021) by Daniil Lebedev
Dea Kulumbegashvili tells a sad story of biblical dimensions.
Review

Marian Crişan’s The Campain (Berliner, 2020)

Vol. 111 (January 2021) by Antonis Lagarias
Corruption and cynicism dominate Marian Crişan’s trite portrait of political culture.
Review

Jindřich Andrš’s A New Shift (Nová šichta, 2020)

Vol. 111 (January 2021) by Zoe Aiano
What are the hopes for reintegrating manual workers in a post-industrial world?
Review

Linas Mikuta’s Roman’s Childhood (Romano vaikystė, 2020)

Vol. 111 (January 2021) by Zoe Aiano
Linas Mikuta portrays a relatively happy family doing their best in the face of capitalism.
Review

Daria Slyusarenko’s Joy (Dzhoy, 2020)

Vol. 111 (January 2021) by Zoe Aiano
This recent documentary portrays life behind the scenes of a traveling circus.
Review

Siamak Etemadi’s Pari (2020)

Vol. 111 (January 2021) by Antonis Lagarias
A woman loses herself while searching for her son in the streets of Athens.
Review

Radu Ciorniciuc’s Acasa, My Home (2020)

Vol. 111 (January 2021) by Konstanty Kuzma
This documentary dramatizes the eviction of a family from what is to become a natural park.
Essay

A Search for Cultural Identity in Contemporary Musical Films from Russia

Vol. 110 (December 2020) by Alexey Izmalkov
Alexey Izmalkov identifies various compromises in Russian cinema's musical quest for identity.
Essay

Zhora Kryzhovnikov’s Best Day Ever (Samyy luchshiy den, 2015)

Vol. 110 (December 2020) by Rachel Stauffer
Rachel Stauffer brings out the reconciliatory pretensions of Kryzhovnikov's blockbuster.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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