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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE

Perspectives
The latest in Central, Eastern and South-Eastern European cinema.

Review

Natasha Merkulova and Aleksey Chupov’s The Man Who Surprised Everyone (Tchelovek Kotorij Udivil Vseh, 2018)

Vol. 98 (October 2019) by Anastasia Eleftheriou
In their second feature, Natasha Merkulova and Aleksey Chupov approach issues surrounding gender politics and sexual norms through a local folk-tale.
Review

Juris Kursietis’ Oleg (Oļeg, 2019)

Vol. 97 (September 2019) by Anastasia Eleftheriou
Is our culture of awareness conducive to our forgetting where the problems lie?
Review

Maria Saakyan’s Entropy (Entropiya, 2012)

Vol. 97 (September 2019) by Vadim Dumesh
In 2012, Maria Saakyan made a 180°-turn by leaving behind arthouse aesthetics in her popculture-induced and highly referential vision of apocalypse.
Review

Maria Saakyan’s I’m Going to Change My Name (Alaverdi, 2013)

Vol. 97 (September 2019) by Antonis Lagarias
Maria Saakyan zeroes in on conveying a sense of subjectivity in her playful coming-of-age story.
Review

Boris Missirkov and Georgi Bogdanov’s Palace for the People (2019)

Vol. 97 (September 2019) by Lucian Tion
Filmmaking duo Boris Missirkov and Georgi Bogdanov travel Eastern Europe to reflect on the lasting legacy of "people's palaces".
Review

Ksenia Okhapkina’s Immortal (Surematu, 2019)

Vol. 97 (September 2019) by Lucian Tion
This tendentious documentary settles old scores concerning Communism in Russia.
Review

Cătălin Mitulescu’s Heidi (2019)

Vol. 97 (September 2019) by Lucian Tion
Cătălin Mitulescu embraces the style and themes of the Romanian New Wave with this story about the ethics of police conduct.
Review

Laila Pakalniņa’s Spoon (Karote, 2019)

Vol. 96 (Summer 2019) by Zoe Aiano
Laila Pakalniņa constructs an experimental documentary around the serial production of plastic spoons.
Review

Yuriy Shylov’s Projectionist (Panorama, 2019)

Vol. 96 (Summer 2019) by Zoe Aiano
A movie projectionist and his work-place compete for the center spot in this ambivalent documentary from Ukraine.
Review

Antonio Lukich’s My Thoughts Are Silent (Moi dumki tikhi, 2019)

Vol. 96 (Summer 2019) by Zoe Aiano
A sound engineer, his mother, and a mysterious duck are the three protagonists of this image-driven road movie.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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