• Perspectives
  • Retrospectives
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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE

Perspectives
The latest in Central, Eastern and South-Eastern European cinema.

Review

Radu Jude’s The Marshal’s Two Executions (Cele două execuții ale Mareșalului, 2018)

Vol. 91 (January 2019) by Colette de Castro
Radu Jude's latest feat compares original rushes of the execution of four collaborationist Romanian politicians with a fictional remake of the same scene.
Review

Valentyn Vasyanovych’s Black Level (Riven’ chornoho, 2017)

Vol. 91 (January 2019) by Isabel Jacobs
This low-budget feature from Ukraine gets entangled in compulsive experimentation.
Review

Alisa Kovalenko’s Home Games (2018)

Vol. 91 (January 2019) by Jack Page
A young woman is forced to choose between following her dream of playing football and caring for her siblings.
Review

Ivan Salatić’s You Have the Night (Ti imaš noć, 2018)

Vol. 90 (December 2018) by Konstanty Kuzma
Ivan Salatić’s debut feature is clumsily poised between personal drama and city study.
Review

Kristīne Briede and Audrius Stonys’ Bridges of Time (Laika tilti, 2018)

Vol. 90 (December 2018) by Zoe Aiano
Kristīne Briede and Audrius Stonys revisit the protagonists of Baltic Poetic Documentary.
Review

Lauri Lagle’s Portugal (2018)

Vol. 90 (December 2018) by Zoe Aiano
Both protagonist and script to Lauri Lagle’s feature suffer from existential disorientation.
Review

László Nemes’ Sunset (Napszállta, 2018)

Vol. 89 (November 2018) by Isabel Jacobs
László Nemes’ follow-up to Son of Saul returns to the conflict-ridden pre-WWI period.
Review

Maria Avdjushko’s Fire Lily (Tuliliilia, 2018)

Vol. 89 (November 2018) by Zoe Aiano
Maria Avdjushko tackles motherhood in a film poised between psychological thriller and horror film.
Review

Alexandar Mihalkovich’s My Granny from Mars (Moya Babushka S Marsa, 2018)

Vol. 89 (November 2018) by Colette de Castro
Belorussian filmmaker Alexandar Mihalkovich portrays his family's arduous attempt to visit his grandmother in Crimea.
Review

László Csuja’s Blossom Valley (Virágvölgy, 2018)

Vol. 89 (November 2018) by Jack Page
László Csuja tries genre constraints in his coming-of-age road movie.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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