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  • Retrospectives
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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE

Perspectives
The latest in Central, Eastern and South-Eastern European cinema.

Review

Miroslav Janek’s Normal Autistic Film (Normální autistický film, 2016)

Vol. 67 (September 2016) by Patricia Bass
This documentary by Miroslav Janek tries its best to normalize autism, and succeeds - for the most part.
Review

Attila Till’s Kills on Wheels (Tiszta Szívvel, 2016)

Vol. 67 (September 2016) by Patricia Bass
In spite of its lighthearted style, Attila Till's action-comedy stays true to its bold ambitions.
Review

Petr Oukropec’s In Your Dreams! (Ani ve snu!, 2016)

Vol. 67 (September 2016) by Patricia Bass
Petr Oukropec blends magical realism with a flashy sports theme in his unripe coming-of-age film.
Review

Cristian Mungiu’s Graduation (Bacalaureat, 2016)

Vol. 67 (September 2016) by Colette de Castro
Colette de Castro reviews Cristian Mungiu's latest film.
Review

Cristian Mungiu’s Graduation (Bacalaureat, 2016)

Vol. 67 (September 2016) by Zoe Aiano
In Mungiu's Graduation, a middle-aged doctor sees no future for his daughter in Romania.
Review

Salomé Jashi’s The Dazzling Light of Sunset (Daisis miziduloba, 2016)

Vol. 67 (September 2016) by John A. Riley
Salomé Jashi reflects on the role of local media from the perspective of a small community in rural Georgia.
Review

Tomasz Wasilewski’s United States of Love (Zjednoczone stany miłości, 2016)

Vol. 66 (Summer 2016) by Zoe Aiano
Tomasz Wasilewski's United States of Love intertwines the stories of four women during the post-'89 transitional period.
Review

Alanté Kavaïté’s The Summer of Sangaile (Sangailė, 2015)

Vol. 66 (Summer 2016) by Ana Ribeiro
Tormented city teenager Sangaile spends the summer at her wealthy parents’ estate in the countryside, where she discovers her sexual awakening.
Review

László Nemes’ Son of Saul (Saul fia, 2015)

Vol. 66 (Summer 2016) by Jack Page
Nemes’ Son of Saul is a sobering portrayal of one man’s final search for atonement in the living nightmare of World War II.
Review

Iglika Triffonova’s The Prosecutor, the Defender, the Father and His Son (2015)

Vol. 66 (Summer 2016) by Yoana Pavlova
The Prosecutor, the Defender, the Father and His Son is an overdue take on the sense of collective guilt related to the Yugoslav wars.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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