Perspectives
The latest in Central, Eastern and South-Eastern European cinema.

Wojciech Staroń’s Brothers (Bracia, 2015)

Vol. 66 (Summer 2016) by Zoe Aiano
In Wojciech Staroń’s documentary, two brothers who managed to escape from a Soviet work camp, cannot escape each other.

Michale Boganim’s Land of Oblivion (La terre outragée, 2011)

Vol. 65 (May 2016) by Ana Ribeiro
Ana Riberio analyzes the transnational aspects of Michale Boganim's Land of Oblivion.

Chad Gracia’s The Russian Woodpecker (2015)

Vol. 65 (May 2016) by Jack Page
Jack Page looks at the much-hyped documentary Russian Woodpecker, which juxtaposes the nuclear accident with the turbulent political events happening in Ukraine today.

Elżbieta Benkowska’s, Łukasz Ostalski’s and Michał Wawrzecki’s New World (Nowy Świat, 2015)

Vol. 64 (April 2016) by Julia Zelman
Julia Zelman unveils how the collaborative feature New World challenges discrimination against migrants.

Bobo Jelčić’s A Stranger (2013) & Ognjen Glavonić’s Depth Two (2016)

Vol. 64 (April 2016) by Moritz Pfeifer
Moritz Pfeifer saw two films that deal with “Othering” through aspects of grief.

Karolina Bielawska’s Call me Marianna (2015), Oleg Mavromati’s No Place for Fools (2015), Alina Rudnistkaya’s Victory Day (2015)

Vol. 64 (April 2016) by Susanne Kappesser
Susanne Kappesser looks at these three films that deal with gender and heteronormativity.

Mira Fornay’s My Dog Killer (Môj pes Killer, 2015) & Radu Jude’s Aferim! (2015)

Vol. 64 (April 2016) by Colette de Castro
Colette de Castro discusses discrimination against Roma children through an analysis of My Dog Killer and Aferim!.

Andrei Kutsila’s Guests (Hosci, 2015)

Vol. 64 (April 2016) by Patricia Bass
Patricia Bass analyzes Andrei Kutsila’s documentary about a Belorussian refuge for the poor.

Nikola Ljuca’s Humidity (Vlažnost, 2016)

Vol. 64 (April 2016) by Konstanty Kuzma
Nikola Ljuca unmasks the hypocrisy of Serbia’s elite in his compelling feature.

Renars Vimba’s Mellow Mud (Es esmu šeit, 2016)

Vol. 63 (March 2016) by Konstanty Kuzma
Like many coming-of-age-stories, Mellow Mud by first-time director Renārs Vimba struggles with over-identification.
Page 42 of 66« First...102030414243445060...Last »