Perspectives
The latest in Central, Eastern and South-Eastern European cinema.

Bobo Jelčić’s A Stranger (2013) & Ognjen Glavonić’s Depth Two (2016)

Vol. 64 (April 2016) by Moritz Pfeifer
Moritz Pfeifer saw two films that deal with “Othering” through aspects of grief.

Karolina Bielawska’s Call me Marianna (2015), Oleg Mavromati’s No Place for Fools (2015), Alina Rudnistkaya’s Victory Day (2015)

Vol. 64 (April 2016) by Susanne Kappesser
Susanne Kappesser looks at these three films that deal with gender and heteronormativity.

Mira Fornay’s My Dog Killer (Môj pes Killer, 2015) & Radu Jude’s Aferim! (2015)

Vol. 64 (April 2016) by Colette de Castro
Colette de Castro discusses discrimination against Roma children through an analysis of My Dog Killer and Aferim!.

Andrei Kutsila’s Guests (Hosci, 2015)

Vol. 64 (April 2016) by Patricia Bass
Patricia Bass analyzes Andrei Kutsila’s documentary about a Belorussian refuge for the poor.

Nikola Ljuca’s Humidity (Vlažnost, 2016)

Vol. 64 (April 2016) by Konstanty Kuzma
Nikola Ljuca unmasks the hypocrisy of Serbia’s elite in his compelling feature.

Renars Vimba’s Mellow Mud (Es esmu šeit, 2016)

Vol. 63 (March 2016) by Konstanty Kuzma
Like many coming-of-age-stories, Mellow Mud by first-time director Renārs Vimba struggles with over-identification.

Alexei Fedorchenko’s Angels of Revolution (Angely Revoluciji, 2014)

Vol. 63 (March 2016) by Moritz Pfeifer
Experimental as ever, Alexei Fedorchenko makes revolutionaries clash with indigenous people.

Mantas Kvedaravicius’ Mariupolis (2016)

Vol. 62 (February 2016) by Moritz Pfeifer
This portrait of Eastern Ukrainian city Mariupolis counters grand narratives of political division by focusing on the life and logic of local communities.

Adrian Sitaru’s Illegitimate (Ilegitim, 2016)

Vol. 62 (February 2016) by Anastasia Eleftheriou
Adrian Sitaru joins the Berlinale Forum with a powerful addition to Romania's long list of meta-films.

Ričardas Marcinkus’ Final Destination (Galutinis tikslas, 2013)

Vol. 62 (February 2016) by Konstanty Kuzma
Lithuanian filmmaker Ričardas Marcinkus deliberates the role of the filmmaker in his provocative documentary.
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