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  • Retrospectives
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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE

Perspectives
The latest in Central, Eastern and South-Eastern European cinema.

Review

Rusudan Chkonia’s Keep Smiling (Gaigimet, 2012)

Vol. 34 (October 2013) by Colette de Castro
Rusudan Chkonia’s film revolves around a contest which claims to be seeking the "perfect mother".
Review

Benedek Fliegauf’s Womb (2010)

Vol. 32 (August 2013) by Konstanty Kuzma
Konstanty Kuzma saw Benedek Fliegauf’s English-language debut.
Review

Ágnes Kocsis’ Fresh Air (Friss levegö, 2006)

Vol. 32 (August 2013) by Colette de Castro
Ágnes Kocsis’ drama-comedy revolves around a relationship between mother and daughter.
Essay

Biopics on Intellectuals

Vol. 31 (July 2013) by Moritz Pfeifer
Moritz Pfeifer thinks about biopics about intellectuals, focusing on the recent productions Hannah Arendt and The Last Station, which screens at the 2020 Berlinale.
Review

György Pálfi’s Final Cut – Ladies & Gentlemen (2012)

Vol. 31 (July 2013) by Konstanty Kuzma
Konstanty Kuzma saw György Pálfi’s latest film, a collage-hommage to the history of cinema.
Review

Iveta Grófová’s Made in Ash (Až do mesta Aš, 2012)

Vol. 30 (June 2013) by Konstanty Kuzma
Iveta Grófová’s debut feature revolves around a young Slovak girl who travels to Czech Republic to find work.
Review

Réka Kincses’s Homeland, Sex and Further Inconveniences (Szülőfold, szex és más kellemetlenségek, 2012)

Vol. 30 (June 2013) by Konstanty Kuzma
A married couple’s seemingly idyllic existence in Germany belies their struggle to find happiness.
Review

Benedek Fliegauf’s Dealer (2004)

Vol. 30 (June 2013) by Moritz Pfeifer
Moritz Pfeifer saw Benedek Fliegauf’s Dealer.
Review

Lyubov Arkus’s Anton’s Right Here (Anton tut ryadom, 2012)

Vol. 30 (June 2013) by Anastasia Eleftheriou
Lyubov Arkus documents her relationship with an autistic teenager.
Essay

Sergei Loznistsa’s Letter (Pismo, 2013)

Vol. 29 (May 2013) by Moritz Pfeifer
Moritz Pfeifer saw Sergei Loznitsa’s latest film set in a psychiatric institution on the Russian countryside.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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