• Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
  • Search
Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE

Retrospectives
Reflections on stand-out films of the past.

Essay

Some Comments on Bells from the Deep: Faith and Superstition in Russia (1993)

Vol. 27 (March 2013) by Pau Bosch Santos
Pau Bosch Santos sheds some light on Werner Herzog's film on Russian mysticism.
Review

Sándor Mihályfy’s The Train-Stop Comes Alive (Indul a bakterház, 1980)

Vol. 26 (February 2013) by Moritz Pfeifer
Moritz Pfeifer saw this Hungarian TV comedy from 1980.
Review

Miklós Jancsó’s Wake Up, Mate, Don’t You Sleep (Kelj fel, komám, ne aludjál!, 2002)

Vol. 26 (February 2013) by Konstanty Kuzma
Konstanty Kuzma argues that Miklós Jancsó's problematic film from 2002 points to his artistic arrogance.
Review

Enyedi Ildiko’s Simon, the Magician (Simon mágus, 1999)

Vol. 25 (January 2013) by Julia Zelman
In this surrealist film from Hungarian director Ildikó Enyedi, the French police seeks help from a Budapest sorcerer.
Review

Béla Tarr’s Prologue (2004)

Vol. 25 (January 2013) by Anastasia Eleftheriou
This segment from Hungarian director Béla Tarr was part of the cooperative Visions of Europe project (2004).
Essay

Karoly Makk’s Love (Szerelem, 1971)

Vol. 25 (January 2013) by Konstanty Kuzma
Konstanty Kuzma compares Karoly Makk's 1971 film with Michael Haneke's Amour and Ulrich Seidl's Paradise: Love.
Review

André de Toth’s Crime Wave (1954)

Vol. 25 (January 2013) by Patricia Bass
Patricia Bass saw this film noir from Hungarian director André De Toth.
Review

Ion Popescu-Gopo’s A Bomb Was Stolen (S-a furat o bombă, 1961)

Vol. 24 (December 2012) by Konstanty Kuzma
Romanian spy film from 1961, two criminal gangs try to get hold of a nuclear bomb.
Review

Ognjen Sviličić’s Sorry for the Kung Fu (Oprosti za kung fu, 2004)

Vol. 24 (December 2012) by Moritz Pfeifer
This film revolves around Mira, a young woman who returns home pregnant to Croatia after the war.
Review

Five Short Films by Cristian Mungiu

Vol. 23 (November 2012) by Anastasia Eleftheriou
Anastasia Eleftheriou saw Mungiu’s early short films during this year’s tribute to the Romanian director at the Thessaloniki IFF.
Page 17 of 24« First...10«16171819»20...Last »


The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

Pages

  • ABOUT
  • TEAM
  • CONTACT US
  • CONTRIBUTE
  • NEWSLETTER
  • Support Us

© 2025 - EEFB - CONTACT - PRIVACY POLICY

This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy

Privacy Overview

This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are as essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary
Always Enabled
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
SAVE & ACCEPT