Konstanty Kurma's comparison of two recent Polish films makes him wonder why freedom and democracy made Polish cinema more dogmatic than it previously was.
Aaron Khandros analyzes Night Train with regards to the new normative order of post-War Poland, relating it to unsolved episodes and traumas of Poland's recent past...
László Strausz (Eötvös Loránd University) surveys the narrational and stylistic tactics engaged by contemporary Hungarian directors in their representation of the historical past.
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