Radu Jude’s Aferim! (2015) and Ottoman Heritage

Vol. 127 (September 2022) by Roxana Coman
Does Radu Jude's tribute to the spaghetti western genre fall prey to stereotypical tropes?

Tanja Deman’s Horizon (Horizont, 2021)

Vol. 125 (May 2022) by Anna Doyle
The Adriatic sea between a nostalgic past and an apocalyptic future.

Mateja Zidarić’s Pleiades (Plejade, 2021)

Vol. 124 (April 2022) by Anna Doyle
In her experimental short, Mateja Zidarić explores the interconnections of digitality and mythology.

Binka Zhelyazkova Retrospective at Thessaloniki 2021

Vol. 120 (December 2021) by Savina Petkova
Savina Petkova revisits a thematic triptych by Bulgarian filmmaker Binka Zhelyazkova.

Mona Nicoară’s and Dana Bunescu’s The Distance Between Me and Me (Distanța dintre mine și mine, 2018)

Vol. 116 (Summer 2021) by Yann Kaci
Drawing inspiration from the life and expressiveness of a Romanian poetess.

Juja Dobrachkous’ Bebia, à mon seul désir (2021)

Vol. 114 (April 2021) by Daniil Lebedev
Daniil Lebedev approaches Juja Dobrachkous' take on Greek mythology through psychoanalysis.

Soviet Bloc(k) Housing and the Self-Deprecating ‘Social Condenser’ in Eldar Ryazanov’s Irony of Fate

Vol. 113 (March 2021) by Lara Olszowska
Lara Olszowska reflects on the demise of an urban symbol.

Western Cities in the Soviet Cinema of the 1920s and 1930s

Vol. 113 (March 2021) by Pavel Stepanov
The story and function of the (urban) West in Soviet cinema.

Paper Architecture in Late Soviet Cinema

Vol. 113 (March 2021) by Raymond DeLuca
An analysis of late Soviet cinema's escapist attitude towards Brezhnev's built environment.

Brutalist Architecture in (Soviet) Cinema

Vol. 113 (March 2021) by Esen Gökçe Özdamar
How brutalist architecture eluded focal attention in (Soviet) cinema.
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