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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Cătălin Mitulescu’s Heidi (2019)

Vol. 97 (September 2019) by Lucian Tion
Cătălin Mitulescu embraces the style and themes of the Romanian New Wave with this story about the ethics of police conduct.
Review

Laila Pakalniņa’s Spoon (Karote, 2019)

Vol. 96 (Summer 2019) by Zoe Aiano
Laila Pakalniņa constructs an experimental documentary around the serial production of plastic spoons.
Review

Yuriy Shylov’s Projectionist (Panorama, 2019)

Vol. 96 (Summer 2019) by Zoe Aiano
A movie projectionist and his work-place compete for the center spot in this ambivalent documentary from Ukraine.
Review

Antonio Lukich’s My Thoughts Are Silent (Moi dumki tikhi, 2019)

Vol. 96 (Summer 2019) by Zoe Aiano
A sound engineer, his mother, and a mysterious duck are the three protagonists of this image-driven road movie.
Review

Robert Budina’s A Shelter Among the Clouds (2018)

Vol. 96 (Summer 2019) by Colette de Castro
An Albanian director pines for (and over) religious reconciliation.
Review

Radu Dragomir’s Mo (2019)

Vol. 96 (Summer 2019) by Colette de Castro
Radu Dragomir applies the living legacy of the Romanian New Wave to themes of the present.
Review

Karel Šindelář’s Why So Sirius? (2018)

Vol. 96 (Summer 2019) by Alice Heneghan
In Karel Šindelář's short film, laughs and tears converge over a dead body.
Review

Larisa Sadilova’s Once in Trubchevsk (Odnazhdy v Trubchevske, 2019)

Vol. 96 (Summer 2019) by Moritz Pfeifer
Larisa Sadilova’s new film tells an unadorned story of adultery.
Review

Trevor Poots’ Romania’s English Queen (Maria, inima României, 2018)

Vol. 96 (Summer 2019) by Colette de Castro
This recent documentary looks at the adventurous life of Queen Marie of Romania.
Review

Jacek Borcuch’s Dolce Fine Giornata (2019)

Vol. 96 (Summer 2019) by Colette de Castro
Jacek Borcuch's newest film again deals with poetry, though his style has further matured since All that I Love.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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