Review

Mikhail Barynin’s 24 Snow (24 snega, 2016)

Mikhail Barynin travels to Russia’s Far East to depict what he perceives as the demise of the pastoral tradition.

Carlos Kong saw the latest addition to Šarūnas Bartas' affective oeuvre.

In Jiří Strach's grotesque comedy, a man is mistaken for a dissident when he signs the Charta 77 during a night of heavy drinking.

This clever, Kosovar picture deconstructs the myth of the modern soldier.

Kamen Kalev takes on the unrealistic aim of cramming Bulgaria's post-Communist transition into his debut.

Sector and Soft Power use choreography as a metaphor for cohesion and division respectively.

Film theorist and documentarian Andrea Slováková explores the matrix of industrial interdependencies.

Aljona Surzhikova explores the suppressed topic of Estonia's Russian-speaking minority.

In his most ambitious animation to-date, Dalibor Barić explores the limits of formal and narrative experimentation.

Szabolcs Hajdu is back with a feature starring his family as cast and their apartment as setting.