Miklós Jancsó’s Wake Up, Mate, Don’t You Sleep (Kelj fel, komám, ne aludjál!, 2002)

Vol. 26 (February 2013) by Konstanty Kuzma
Konstanty Kuzma argues that Miklós Jancsó's problematic film from 2002 points to his artistic arrogance.

Cristian Mungiu’s Beyond the Hills (După dealuri, 2012)

Vol. 26 (February 2013) by Alina Popescu
After our review from Cannes, Alina Popescu takes another look at Mungiu's latest film, focusing on its reception in Romania.

Bobo Jelčić’s A Stranger (Obrana i zaštita, 2013)

Vol. 26 (February 2013) by Colette de Castro
Colette de Castro analyzes the use of time in Bobo Jelčić's film.

Zaza Rusadze’s A Fold in My Blanket (Chemi sabnis naketsi, 2013)

Vol. 26 (February 2013) by Konstanty Kuzma
Zaza Rusadze’s debut feature oscillates between truth and phantasy, ultimately unable to stand on firm ground.

Danis Tanović’s An Episode in the Life of an Iron Picker (Epizoda u životu berača željeza, 2013)

Vol. 26 (February 2013) by Colette de Castro
Danis Tanović’s new film tells the true story of Nasif and Senada who live in a small house in a poor Roma village.

Calin Peter Netzer’s Child’s Pose (Pozitia copilului, 2013)

Vol. 26 (February 2013) by Colette de Castro
Colette de Castro saw the new film by Calin Peter Netzer.

Nana Ekvtimishvili’s and Simon Groß’ In Bloom (Grzeli nateli dgeebi, 2013)

Vol. 26 (February 2013) by Konstanty Kuzma
This problematic film nominally deals with Georgia’s past, and is stylistically heavily inspired by Cristian Mungiu.
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