Editorial

Vol. 41 (May 2014) by Editors

Peter Kerekes on Velvet Terrorists

Vol. 41 (May 2014) by Colette de Castro
Colette de Castro interviewed Peter Kerekes about the collaborative feature Velvet Terrorists.

Tomasz Wasilweski on Floating Skyscrapers

Vol. 41 (May 2014) by Moritz Pfeifer
Wasilewski speaks about gay culture in Poland, the motivation behind making Floating Skyscrapers, and its reception.

Ivan Ostrochovský, Pavol Pekarčík, Peter Kerekes’ Velvet Terrorists (Zamatoví teroristi, 2013)

Vol. 41 (May 2014) by Colette de Castro
This collaborative, experimental film follows the fate of three dissidents who were jailed for committing terrorist acts under Czechoslovak Socialism.

Yusup Razykov’s Shame (Styd, 2013)

Vol. 41 (May 2014) by Moritz Pfeifer
In his new film Shame, Uzbek director Yusup Razykov tackles a tragic accident from the point of view of the wives that survived their husbands.

Marko Šantić’s Seduce Me (Zapelji me, 2013)

Vol. 41 (May 2014) by Moritz Pfeifer
Marko Šantić's first feature explores elements of seriocomedy to tell the coming of age story of a young man in Slovenia.

Jacek Bromski’s One Way Ticket to the Moon (Bilet na Księżyc, 2013)

Vol. 41 (May 2014) by Konstanty Kuzma
The travels of two brothers are at the center of this film, which also examines the '68 generation in Socialist Poland.

Piotr Trzaskalski’s My Father’s Bike (Mój rower, 2012)

Vol. 41 (May 2014) by Julia Zelman
In this film estranged fathers and sons must learn to accept and express love.

Maciej Pieprzyca’s Life Feels Good (Chce się żyć, 2013)

Vol. 41 (May 2014) by Moritz Pfeifer
Maciej Pieprzyca's new film is based on the true story of a boy suffering from cerebral palsy.

Bodo Kox’s The Girl From the Wardrobe (Dziewczyna z szafy, 2013)

Vol. 41 (May 2014) by Jack Page
Three off-key friends lie at the center of this idiosyncratic production by Polish helmer Bodo Kox.
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