György Pálfi’s Hukkle (2002)

Vol. 31 (July 2013) by Julia Zelman
Julia Zelman ponders about Pálfi’s vision of nature, and finds curious cinematic references to his 2002 debut feature.

Editorial

Vol. 28 (April 2013) by Julia Zelman

Jaromír Šofr on his Career

Vol. 28 (April 2013) by Julia Zelman
Czech cinematographer Jaromír Šofr speaks about his formation, his involvement in the New Wave, and working with directors of different styles and ages.

Drahomíra Vihanová on her Work

Vol. 28 (April 2013) by Julia Zelman
The Czech 1960s director speaks about the way film school worked in the 1960s, the political atmosphere back then, her work, and how her film was banned after the Prague Spring.

Karel Vachek’s Moravian Hellas (Moravská Hellas, 1963)

Vol. 28 (April 2013) by Julia Zelman
Julia Zelman saw Karel Vachek's satirical documentary on a folklore festival in Czechoslovakia.

Victor Aslyuk’s Wooden People (Drauliany narod, 2012)

Vol. 27 (March 2013) by Julia Zelman
This Belarusian film offers us a vision sprung from a “dreamed-up country” sculpted in wood and painstakingly arranged.

Enyedi Ildiko’s Simon, the Magician (Simon mágus, 1999)

Vol. 25 (January 2013) by Julia Zelman
In this surrealist film from Hungarian director Ildikó Enyedi, the French police seeks help from a Budapest sorcerer.

Jaromil Jireš’s And Give My Love to the Swallows (….a pozdravuji vlastovky, 1972)

Vol. 23 (November 2012) by Julia Zelman
Julia Zelman saw this 1972 film about Czech resistants during the Second World War.

Karel Kachyňa’s The Ear (Ucho, 1970)

Vol. 20 (August 2012) by Julia Zelman
The Ear is one of the most politically incendiary films to emerge from the Czechoslovak Young Wave.
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