Andrzej Wajda’s The Wedding (Wesele, 1973)

Vol. 46 (October 2014) by Moritz Pfeifer
Moritz Pfeifer questions the political message behind Andrzej Wajda's The Wedding.

Aleksei German’s Hard to Be a God (Trudno byt bogom, 2013)

Vol. 45 (September 2014) by Moritz Pfeifer
German's last work, scientists from earth have the mission to stimulate a Renaissance on a planet stuck in the middle ages.

István Szabó’s Sweet Emma, Dear Böbe (Édes Emma, drága Böbe – vázlatok, aktok, 1992)

Vol. 44 (August 2014) by Moritz Pfeifer
István Szabó's most improvised film is also his most unique. The film was shot with no budget in the immediacy of the crumbling Kádár/Grosz regime in 1992.

Masterclass by István Szabó

Vol. 43 (July 2014) by Moritz Pfeifer
Szabó gives insightful lessons on how to film history, on how to adapt a novel to the screen, and talks about his relationship with his home country, Hungary...

István Szabó’s Mephisto (1981)

Vol. 43 (July 2014) by Moritz Pfeifer
Moritz Pfeifer compares the plot of István Szabó's Mephisto (1981) to the controversy surrounding Kathryn Bigalow's Zero Dark Thirty (2012).

Krzysztof Zanussi’s Illumination (Iluminacja, 1973)

Vol. 42 (June 2014) by Moritz Pfeifer
Moritz Pfeifer looks at how Zanussi depicts science and scientists, and how his approach relates to other works on the same topic.

Wladyslaw Pasikowski’s Aftermath (Pokłosie, 2012)

Vol. 42 (June 2014) by Moritz Pfeifer
Moritz Pfeifer analyzes "memory tales" - stories which revolve around, but do not take place during the Second World War.

Tomasz Wasilweski on Floating Skyscrapers

Vol. 41 (May 2014) by Moritz Pfeifer
Wasilewski speaks about gay culture in Poland, the motivation behind making Floating Skyscrapers, and its reception.

Yusup Razykov’s Shame (Styd, 2013)

Vol. 41 (May 2014) by Moritz Pfeifer
In his new film Shame, Uzbek director Yusup Razykov tackles a tragic accident from the point of view of the wives that survived their husbands.

Marko Šantić’s Seduce Me (Zapelji me, 2013)

Vol. 41 (May 2014) by Moritz Pfeifer
Marko Šantić's first feature explores elements of seriocomedy to tell the coming of age story of a young man in Slovenia.
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