With this piece, director Alexei Fedorchenko references and responds to his earlier film Silent Souls.
Moritz Pfeifer saw this film by Jan Němec, which was banned in 1966 and only made available after the Velvet Revolution in Czechoslovakia.
Moritz Pfeifer asks whether Miklós Jancsó's second feature Cantata achieves its existentialist goals.
Moritz Pfeifer looked at the work of Croatian artist Ladislav Galeta.
Moritz Pfeifer saw this Hungarian TV comedy from 1980.
Why would animals make someone stop filming? Moritz Pfeifer talks about Béla Tarrs curious relationship with animals.
Moritz Pfeifer met Sviličić during the Croatie, la voici festival in Paris to talk to him about his films, Croatia’s upcoming EU entry, and parallels between Croatian and Romanian cinema.
This film revolves around Mira, a young woman who returns home pregnant to Croatia after the war.
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are as essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.