Ildikó Enyedi’s On Body and Soul, winner of the Golden Bear, suffers from its stylistic eclecticism.
This Georgian feature tells the story of a family woman and her sudden urge to live an independent life.
Zoe Aiano recounts the way WWII films from the Baltics have kept reassigning the roles of culprits, albeit always from a position of moral superiority.
His latest strike proves once again that Kusturica is unwilling to bow to the rules of logic and good taste.
Klára Trencsényi’s symbol-laden feature offers a biting critique of the modern social state.
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