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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
Archive
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • Archive
Review

Goran Paskaljević’s The Dog Who Loved Trains (Pas koji je voleo vozove, 1977)

Vol. 20 (August 2012) by Konstanty Kuzma
Paskaljević’s film starts out on board of a prison train: tired of the relentless heat in the train cabins, a group of lighthearted female prisoners decide to take their clothes off...
Interview

Maja Miloš on Clip

Vol. 19 (July 2012) by Ana Ribeiro
EEFB met up with Maja Miloš during the Transilvania International Film Festival to speak to her about her debut feature Clip.
Review

Slobodan Šijan’s Who’s Singin’ Over There? (Ko to tamo peva, 1980)

Vol. 19 (July 2012) by Konstanty Kuzma
Konstanty Kuzma saw Slobodan Šijan's debut feature from 1980.
Review

Maja Miloš’s Clip (Klip, 2012)

Vol. 19 (July 2012) by Ana Ribeiro
Maja Miloš's first feature is a bold film about teenagers..
Review

Dušan Makavejev’s Sweet Movie (1974)

Vol. 18 (June 2012) by Konstanty Kuzma
Konstanty Kuzma saw Dušan Makavejev’s provocative feature which revolves around an unhappily married woman.
Review

Bojan Vuletić’s A Practical Guide to Belgrade with Singing and Crying (Prakticni vodic kroz Beograd sa pevanjem i plakanjem, 2011)

Vol. 16 (April 2012) by Moritz Pfeifer
Vuletić's episodic comedy is wrapped as a tourist guide for Belgrade, but seems to be more useful to Serbs than to foreigners.
Review

Srđan Keča’s A Letter to Dad (Pismo ocu, 2011)

Vol. 16 (April 2012) by Moritz Pfeifer
Serbian director Srđan Keča writes a letter to his deceased father.
Review

Sinisa Dragin’s Everyday God Kisses Us on the Mouth (În fiecare zi Dumnezeu ne saruta pe gura, 2001)

Vol. 15 (March 2012) by Alina Popescu
Alina Popescu revisits Sinisa Dragin’s fiction debut.
Essay

Angelina Jolie’s In the Land of Blood and Honey (2011)

Vol. 15 (March 2012) by Moritz Pfeifer
Angelina Jolie's debut feature is a love story set during the Yugoslav Wars.
Review

Srđan Dragojević’s The Parade (Parada, 2012)

Vol. 15 (March 2012) by Patricia Bass
Srđan Dragojević's latest piece converts the struggles of Serbia's gay activists into a stylized, high-paced 'dramedy'.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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