Maja Miloš’s Clip (Klip, 2012)

Vol. 19 (July 2012) by Ana Ribeiro
Maja Miloš's first feature is a bold film about teenagers..

Dušan Makavejev’s Sweet Movie (1974)

Vol. 18 (June 2012) by Konstanty Kuzma
Konstanty Kuzma saw Dušan Makavejev’s provocative feature which revolves around an unhappily married woman.

Bojan Vuletić’s A Practical Guide to Belgrade with Singing and Crying (Prakticni vodic kroz Beograd sa pevanjem i plakanjem, 2011)

Vol. 16 (April 2012) by Moritz Pfeifer
Vuletić's episodic comedy is wrapped as a tourist guide for Belgrade, but seems to be more useful to Serbs than to foreigners.

Srđan Keča’s A Letter to Dad (Pismo ocu, 2011)

Vol. 16 (April 2012) by Moritz Pfeifer
Serbian director Srđan Keča writes a letter to his deceased father.

Sinisa Dragin’s Everyday God Kisses Us on the Mouth (În fiecare zi Dumnezeu ne saruta pe gura, 2001)

Vol. 15 (March 2012) by Alina Popescu
Alina Popescu revisits Sinisa Dragin’s fiction debut.

Angelina Jolie’s In the Land of Blood and Honey (2011)

Vol. 15 (March 2012) by Moritz Pfeifer
Angelina Jolie's debut feature is a love story set during the Yugoslav Wars.

Srđan Dragojević’s The Parade (Parada, 2012)

Vol. 15 (March 2012) by Patricia Bass
Srđan Dragojević's latest piece converts the struggles of Serbia's gay activists into a stylized, high-paced 'dramedy'.

Nikola Ležaić’s Tilva Ros (2010)

Vol. 14 (February 2012) by Moritz Pfeifer
Nikola Lezaic's film revolves around a group of young skaters who film each other doing self-destructive pranks.

Where do Emir Kusturica and Slavoj Žižek meet in Underground (1995)?

Vol. 13 (January 2012) by Moritz Pfeifer
Moritz Pfeifer asks where Slavoj Žižek and Emir Kusturica meet in Underground.

Anamaria Marinca on Look, Stranger

Vol. 4 (April 2011) by Moritz Pfeifer
In Look, Stranger, Anamaria Marinca plays the role of a refugee of war.
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