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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Nariné Mkrtchyan and Arsen Azatyan’s About Him or How He Did Not Fear the Bear (Nra masin kam te inchpes na chvakhetsav arjits, 2019)

Vol. 91 (January 2019) by Anastasia Eleftheriou
This Armenian feature about a recent massacre is weighed down by its lack of context.
Review

Diana Vidrașcu’s Silence of the Sirens (Le silence des Sirènes, 2019)

Vol. 91 (January 2019) by Anastasia Eleftheriou
This loose adaptation of Kafka's eponymous short story is a playful, and often provocative exercise in cinematic genres.
Review

Igor Bezinović’s Cartolina de Momjan (2018)

Vol. 91 (January 2019) by Alice Heneghan
This Croatian short blows a breath of the Adriatic sea across the screen.
Interview

Igor Bezinović on Cartolina de Momjan

Vol. 91 (January 2019) by Alice Heneghan
Bezinović speaks about his experiences at the Trieste Film Festival, the themes that interest him, and future projects.
Review

Marjan Alčevski’s Success (Uspjeh, 2019-)

Vol. 91 (January 2019) by Alice Heneghan
A cover up is at the forefront of this new Balkan-produced HBO series.
Review

Misho Antadze’s The Harvest (Mosavali, 2019)

Vol. 91 (January 2019) by Rohan Crickmar
Misho Antadze portrays Georgia's easternmost region as a nexus between agriculture, modern technological infrastructure and natural wilderness.
Review

Ena Sendijarević’s Take Me Somewhere Nice (2019)

Vol. 91 (January 2019) by Anastasia Eleftheriou
In Ena Sendijarević's debut, we watch a young girl of Bosnian origin explore her identity and sexuality.
Review

Ana Urushadze’s Scary Mother (Sashishi deda, 2017)

Vol. 91 (January 2019) by Daniil Lebedev
Ana Urushadze’s debut feature about a struggling writer defies prevalent cliches about the martyrdom of art.
Essay

Vitaly Mansky’s Close Relations (Rodnye, 2016)

Vol. 91 (January 2019) by Konstanty Kuzma
Can Vitaly Mansky's documentary about his family and Ukraine at war live up to its reputation of bridging Eastern-Western divides?
Review

Radu Jude’s The Marshal’s Two Executions (Cele două execuții ale Mareșalului, 2018)

Vol. 91 (January 2019) by Colette de Castro
Radu Jude's latest feat compares original rushes of the execution of four collaborationist Romanian politicians with a fictional remake of the same scene.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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