Interview with Alexandra Anikina

Vol. 119 (November 2021) by Anna Doyle
We met researcher, media artist and filmmaker Alexandra Anikina to discuss her understanding of experimental cinema.

Stanislav Dorochenkov’s ILIAZD (2021)

Vol. 118 (October 2021) by Anna Doyle
An experimental engagement with the life of avant-garde figure Ilia Zdanevich.

Stanislav Dorochenkov on ILIAZD

Vol. 118 (October 2021) by Anna Doyle
Stanislav Dorochenkov discusses his experimental biopic on avant-garde figure Ilia Zdanevich.

Alexandra Anikina’s Data Field (2021)

Vol. 118 (October 2021) by Anna Doyle
An exploration of digitality and its relation to our mythical past.

Dina Karaman’s Letters about the End of the World (Pisma o konce sveta, 2020)

Vol. 118 (October 2021) by Anna Doyle
A reflection on dreams and society during lockdown.

Kirill Serebrennikov’s Petrov’s Flu (Petrоvy v grippe, 2021)

Vol. 118 (October 2021) by Antonis Lagarias
What, if anything, does Serebrennikov's film tell us about contemporary Russia?

The Russian Pavilion at the 2021 Biennale: Film Program

Vol. 117 (September 2021) by Daniil Lebedev
The film program of the Russian pavilion gauged intersections between the digital and real worlds.

Andrey Konchalovsky’s Dear Comrades! (Dorogie tovarischi!, 2020)

Vol. 115 (May 2021) by Jack Page
Andrey Konchalovsky offers an unstinting vision of the Novocherkassk massacre.

Vitaly Mansky’s Gorbachev. Heaven (2020)

Vol. 114 (April 2021) by Konstanty Kuzma
Mikhail Gorbachev's legacy during a resurfacing Cold War.

Vitaly Suslin’s Papier-mache (2020)

Vol. 114 (April 2021) by Daniil Lebedev
Can media fantasies fix reality?
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