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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Péter Kerekes’ 107 Mothers (Cenzorka, 2021)

Vol. 121 (January 2022) by Maxim Plokhikh
Slovak filmmaker Péter Kerekes depicts the life of 107 mothers in a prison in Odessa.
Review

Marko Škop’s Let There Be Light (Nech je svetlo, 2019)

Vol. 101 (January 2020) by Konstanty Kuzma
Masculinity hits back in rural Slovakia in Marko Škop’s highly unfunny feature.
Review

Marek Kuboš’s Last Self-Portrait (Posledný autoportrét, 2018)

Vol. 89 (November 2018) by Colette de Castro
Marek Kuboš reflects on the limits of the documentary genre and his career.
Review

Iveta Grófová’s Little Harbour (Piata loď, 2017)

Vol. 85 (May 2018) by Alice Heneghan
Iveta Grófová’s latest feature, painted in blue, is a film told from the perspective of a 10-year old girl.
Essay

S. Komandarev, M. Szymków, L. Dombrovszky, E. Moskvina & M. E. Scheidt’s Occupation 1968 (2018)

Vol. 84 (April 2018) by Konstanty Kuzma
This collaborative feature misidentifies the ghosts that haunt Europe today.
Review

Peter Bebjak’s The Line (Čiara, 2017)

Vol. 83 (March 2018) by Konstanty Kuzma
This Slovak-Ukrainian co-production picks up two themes whose relevance has only increased since its release last year.
Interview

Jan Gebert on When the War Comes

Vol. 82 (February 2018) by Zoe Aiano
We spoke to Czech filmmaker Jan Gebert about his latest documentary, political developments in Central Europe, and differences between journalism and filmmaking.
Review

Jan Gebert’s When the War Comes (Až přijde válka, 2018)

Vol. 82 (February 2018) by Zoe Aiano
Jan Gebert’s film documents the synchronous radicalization and normalization of a Slovak right-wing militia.
Review

Juraj Lehotský’s Nina (2017)

Vol. 81 (January 2018) by Konstanty Kuzma
This look at teenage angst suffers from a superficial engagement with its narrative underpinnings.
Review

Tereza Nvotová’s The Lust for Power (Mečiar, 2017)

Vol. 79 (November 2017) by Zoe Aiano
Tereza Nvotová opens up a subjectivist perspective on Slovak politics.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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