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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Nariman Aliev’s Homeward (Evge, 2019)

Vol. 95 (May 2019) by Antonis Lagarias
Nariman Aliev depicts the wounds that deportations and population exchange leave open in the minds and souls of the affected.
Review

Yaroslav Lodygin’s The Wild Fields (Dyke pole, 2018)

Vol. 95 (May 2019) by Colette de Castro
This adaptation of a contemporary cult classic does not have time on its side.
Review

Alisa Pavlovskaya’s Gogol Doc (Gogol Dok, 2018)

Vol. 94 (April 2019) by Daniel Fuller
Gogol Doc blesses the audience with a fly-on-the-wall view into the genesis of a 2016 Ukrainian avant-garde festival.
Review

Roman Bondarchuk’s Ukrainian Sheriffs (2015)

Vol. 92 (February 2019) by Daniel Fuller
Two men have been deputized by the Mayor to maintain some semblance of order in the Ukrainian village of Stara Zburjivka.
Review

Vadym Ilkov’s My Father is My Mother’s Brother (Tato – mamyn brat, 2018)

Vol. 92 (February 2019) by Jack Page
Underground artist and musician Tolik spends his days juggling a routine of painting, song writing and caring for his niece Katya.
Essay

Vitaly Mansky’s Close Relations (Rodnye, 2016)

Vol. 91 (January 2019) by Konstanty Kuzma
Can Vitaly Mansky's documentary about his family and Ukraine at war live up to its reputation of bridging Eastern-Western divides?
Review

Valentyn Vasyanovych’s Black Level (Riven’ chornoho, 2017)

Vol. 91 (January 2019) by Isabel Jacobs
This low-budget feature from Ukraine gets entangled in compulsive experimentation.
Review

Alisa Kovalenko’s Home Games (2018)

Vol. 91 (January 2019) by Jack Page
A young woman is forced to choose between following her dream of playing football and caring for her siblings.
Review

Alexandar Mihalkovich’s My Granny from Mars (Moya Babushka S Marsa, 2018)

Vol. 89 (November 2018) by Colette de Castro
Belorussian filmmaker Alexandar Mihalkovich portrays his family's arduous attempt to visit his grandmother in Crimea.
Interview

Alexander Mihalkovich on My Grannie from Mars

Vol. 89 (November 2018) by Colette de Castro
Belorussian filmmaker Alexander Mihalkovich speaks about his documentary, which was pulled from the Minsk Film Festival this year.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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