Rolands Kalniņš’ Four White Shirts (Četri balti krekli, 1967)

Vol. 90 (December 2018) by Zoe Aiano
Rolands Kalniņš’ critique of Soviet censorship was restored last year to mark the director's 95th birthday.

Kristīne Briede and Audrius Stonys’ Bridges of Time (Laika tilti, 2018)

Vol. 90 (December 2018) by Zoe Aiano
Kristīne Briede and Audrius Stonys revisit the protagonists of Baltic Poetic Documentary.

Lauri Lagle’s Portugal (2018)

Vol. 90 (December 2018) by Zoe Aiano
Both protagonist and script to Lauri Lagle’s feature suffer from existential disorientation.

Tallin Black Nights 2018

Vol. 89 (November 2018) by Editors
Coverage from the 22nd Tallin Black Nights Film Festival (November 16-December 2).

Maria Avdjushko’s Fire Lily (Tuliliilia, 2018)

Vol. 89 (November 2018) by Zoe Aiano
Maria Avdjushko tackles motherhood in a film poised between psychological thriller and horror film.

Maria Avdjushko on Fire Lily

Vol. 89 (November 2018) by Zoe Aiano
Estonian Filmmaker Maria Avdjushko speaks about her debut feature and reflects on the role of women in the film industry.

Olmo Omerzu’s Winter Flies (Všechno bude, 2018)

Vol. 86 (Summer 2018) by Jack Page
In this road-movie, an unlikely teenage duo embark on a predictable journey of pranks, dangers, and disillusionment.

Vitaly Mansky’s Putin’s Witnesses (Svideteli Putina, 2018)

Vol. 86 (Summer 2018) by Moritz Pfeifer
Vitaly Mansky rails against the passive bystanders of history, including himself, in this behind-the-scenes look at Putin's ascent to power.

Radu Jude’s I Do Not Care If We Go Down in History as Barbarians (Îmi este indiferent dacă în istorie vom intra ca barbari, 2018)

Vol. 86 (Summer 2018) by Moritz Pfeifer
Radu Jude explores Romania’s complicity in the destruction of European Jews in his daring and intelligent film.

Sergei Loznitsa’s Donbass (2018)

Vol. 85 (May 2018) by Zoe Aiano
In his latest film, Loznitsa dwells on the cacophony and chaos of the Donbass region.
Page 1 of 212