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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE

Perspectives
The latest in Central, Eastern and South-Eastern European cinema.

Review

Petr Zelenka’s Lost in Munich (Ztraceni v Mnichově, 2015)

Vol. 66 (Summer 2016) by Zoe Aiano
This film addresses the Munich Agreement (or Betrayal) of 1938 through the story of Pavel (Martin Myšička), a frustrated journalist on the brink of losing his career and his wife.
Review

Vladimir Tomić’s Flotel Europa (2015)

Vol. 66 (Summer 2016) by Zoe Aiano
In this autobiographical documentary, Vladimir Tomić relates the refugee crisis to the refugees of the Balkan wars.
Review

Bogdan Mirică’s Dogs (Câini, 2016)

Vol. 66 (Summer 2016) by Zoe Aiano
Bogdan Mirică's debut feature is a meditation on some classical Western themes.
Review

Laila Pakalniņa’s Dawn (Ausma, 2015)

Vol. 66 (Summer 2016) by Paulina Duda
Laila Pakalniņa's political satire Dawn is based on a shelved Eisenstein project and revisits Soviet myths.
Review

Wojciech Staroń’s Brothers (Bracia, 2015)

Vol. 66 (Summer 2016) by Zoe Aiano
In Wojciech Staroń’s documentary, two brothers who managed to escape from a Soviet work camp, cannot escape each other.
Essay

Michale Boganim’s Land of Oblivion (La terre outragée, 2011)

Vol. 65 (May 2016) by Ana Ribeiro
Ana Riberio analyzes the transnational aspects of Michale Boganim's Land of Oblivion.
Review

Chad Gracia’s The Russian Woodpecker (2015)

Vol. 65 (May 2016) by Jack Page
Jack Page looks at the much-hyped documentary Russian Woodpecker, which juxtaposes the nuclear accident with the turbulent political events happening in Ukraine today.
Review

Elżbieta Benkowska’s, Łukasz Ostalski’s and Michał Wawrzecki’s New World (Nowy Świat, 2015)

Vol. 64 (April 2016) by Julia Zelman
Julia Zelman unveils how the collaborative feature New World challenges discrimination against migrants.
Essay

Bobo Jelčić’s A Stranger (2013) & Ognjen Glavonić’s Depth Two (2016)

Vol. 64 (April 2016) by Moritz Pfeifer
Moritz Pfeifer saw two films that deal with “Othering” through aspects of grief.
Essay

Karolina Bielawska’s Call me Marianna (2015), Oleg Mavromati’s No Place for Fools (2015), Alina Rudnistkaya’s Victory Day (2015)

Vol. 64 (April 2016) by Susanne Kappesser
Susanne Kappesser looks at these three films that deal with gender and heteronormativity.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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