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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE

Perspectives
The latest in Central, Eastern and South-Eastern European cinema.

Review

Mira Fornay’s My Dog Killer (Môj pes Killer, 2013)

Vol. 36 (December 2013) by Julia Zelman
Slovak filmmaker Mira Fornay takes up the timely topic of nationalism.
Essay

Kaveh Bahtiari’s L’Escale (Stop-Over, 2013)

Vol. 36 (December 2013) by Anastasia Eleftheriou
This masterly documentary accompanies the lives of clandestine immigrants living in an appartment in Athens.
Review

Mike Lerner and Maxim Pozdorovkin’s Pussy Riot: A Punk Prayer (2013)

Vol. 36 (December 2013) by Colette de Castro
Colette de Castro addresses aspects of performativity and demonization in the light of this recent documentary.
Review

Yuri Bykov’s Mayor (Major, 2013)

Vol. 36 (December 2013) by Ana Ribeiro
In this Russian film, a police mayor runs over a seven-year-old boy and tries to cover up the accident.
Review

Tudor Cristian Jurgiu’s Japanese Dog (Câinele japonez, 2013)

Vol. 36 (December 2013) by Andrei Dudea
Andrei Dudea saw Tudor Cristian Jurgiu's debut feature.
Review

Corneliu Porumboiu’s When Evening Falls on Bucharest or Metabolism (Când se lasă seara peste Bucureşti sau Metabolism, 2013)

Vol. 35 (November 2013) by Ana Ribeiro
When The Evening Falls is a metalinguistic motion picture.
Review

Andrzej Wajda’s Walesa, Man of Hope (Wałęsa. Człowiek z nadziei, 2013)

Vol. 35 (November 2013) by Ana Ribeiro
Andrzej Wajda’s latest film screened at this year's Rio de Janeiro IFF, where feelings about this work by the “master of historical film” were mixed.
Review

Mila Turajlić’s Cinema Komunisto (2011)

Vol. 35 (November 2013) by Moritz Pfeifer
Director Mila Turajlić revisits the dark and glorious historical moments of Yougoslavia’s first film studio.
Review

Katarzyna Roslaniec’s Baby Blues (2012)

Vol. 35 (November 2013) by Ana Ribeiro
The second feature by Polish filmmaker Katarzyna Roslaniec portrays adolescent life in capitalist Eastern Europe.
Review

Şerban Oliver Tătaru’s Anatomy of a Departure (Anatomie des Weggehens, 2012)

Vol. 35 (November 2013) by Konstanty Kuzma
Romanian filmmaker Şerban Oliver Tătaru rethinks his family's move to Germany during his teenage years.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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