• Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
  • Search
Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Interview

Ondřej Šálek on Good News

Vol. 94 (April 2019) by Anastasia Eleftheriou
Documentary filmmaker Ondřej Šálek spoke to us about his 35-minute portrait of a right-wing conspiracy theorist.
Review

Nariné Mkrtchyan and Arsen Azatyan’s About Him or How He Did Not Fear the Bear (Nra masin kam te inchpes na chvakhetsav arjits, 2019)

Vol. 91 (January 2019) by Anastasia Eleftheriou
This Armenian feature about a recent massacre is weighed down by its lack of context.
Review

Diana Vidrașcu’s Silence of the Sirens (Le silence des Sirènes, 2019)

Vol. 91 (January 2019) by Anastasia Eleftheriou
This loose adaptation of Kafka's eponymous short story is a playful, and often provocative exercise in cinematic genres.
Review

Ena Sendijarević’s Take Me Somewhere Nice (2019)

Vol. 91 (January 2019) by Anastasia Eleftheriou
In Ena Sendijarević's debut, we watch a young girl of Bosnian origin explore her identity and sexuality.
Review

Jan P. Matuszyński’s The Last Family (Ostatnia Rodzina, 2017)

Vol. 81 (January 2018) by Anastasia Eleftheriou
Matuszyński’s debut feature paints unfamiliar fantasies in Poland's years of westernization.
Interview

Vitaly Mansky on Under the Sun

Vol. 75 (May 2017) by Anastasia Eleftheriou
Documentary filmmaker Vitaly Mansky discusses his North Korean-set film Under the Sun, which offers fascinating views of the country behind its widely documented facade.
Review

Adrian Sitaru’s Illegitimate (Ilegitim, 2016)

Vol. 62 (February 2016) by Anastasia Eleftheriou
Adrian Sitaru joins the Berlinale Forum with a powerful addition to Romania's long list of meta-films.
Review

Danis Tanović’s Death in Sarajevo (Smrt u Sarajevu, 2016)

Vol. 62 (February 2016) by Anastasia Eleftheriou
Oddly chic for its subject matter, Danis Tanović’s Levi-inspired competition entry is a failed attempt at political filmmaking.
Interview

Želimir Žilnik on the Black Wave

Vol. 47 (November 2014) by Anastasia Eleftheriou
Žilnik speaks about the Yugoslav Black Wave, his film “Fortress Europe”, and discrepancies between Yugoslav reality and contemporary Serbia.
Interview

Isa and Donat Qosja on Three Windows and a Hanging

Vol. 47 (November 2014) by Anastasia Eleftheriou
We met with Kosovan director Ivan Qosja and his son Donat, who plays the main character in his father’s new film.
Page 2 of 5«1234»...Last »


The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

Pages

  • ABOUT
  • TEAM
  • CONTACT US
  • CONTRIBUTE
  • NEWSLETTER
  • Support Us

© 2025 - EEFB - CONTACT - PRIVACY POLICY

This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy

Privacy Overview

This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are as essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary
Always Enabled
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
SAVE & ACCEPT