Renars Vimba’s Mellow Mud (Es esmu šeit, 2016)

Vol. 63 (March 2016) by Konstanty Kuzma
Like many coming-of-age-stories, Mellow Mud by first-time director Renārs Vimba struggles with over-identification.

Ričardas Marcinkus’ Final Destination (Galutinis tikslas, 2013)

Vol. 62 (February 2016) by Konstanty Kuzma
Lithuanian filmmaker Ričardas Marcinkus deliberates the role of the filmmaker in his provocative documentary.

Juris Kursietis’ Modris (2015)

Vol. 61 (January 2016) by Konstanty Kuzma
Can we care about a story whose protagonist does not? Juris Kursietis' debut feature strains our sympathetic powers.

Imam Hasanov’s Holy Cow (2015) and Salome Machaidze’s, David Meskhi’s and Tamuna Karumidze’s When the Earth Seems to Be Light (2015)

Vol. 60 (December 2015) by Konstanty Kuzma
Deeply skeptical of tradition, these two Caucasian documentaries look towards Europe for salvation.

Alexandru Solomon’s The Great Communist Bank Robbery (Marele jaf comunist, 2004)

Vol. 59 (November 2015) by Konstanty Kuzma
Alexandru Solomon's 2004 documentary looks at Communist Romania through the perspective of a famous bank robbery.

Florian Mühlfried on the Georgian Table

Vol. 58 (October 2015) by Konstanty Kuzma
We discussed the "supra" - the Georgian table - with German anthropologist Florian Mühlfried on the occasion of our special food-themed issue.

Otar Iosseliani’s Falling Leaves (Giorgobistve, 1966)

Vol. 58 (October 2015) by Konstanty Kuzma
Konstanty Kuzma looks at the way Iosseliani's film uses the Georgian "supra" feast to contrast two ways of living.

Otar Iosseliani’s Pastorale (Pastorali, 1975)

Vol. 57 (September 2015) by Konstanty Kuzma
Konstanty Kuzma compares Otar Iosseliani's movie from 1975 to the folk tale of the Pied Piper of Hamelin, relating it to aspects of cultural criticism in the movie.

Temur Babluani’s The Sun of the Sleepless (Udzinarta mze, 1992)

Vol. 56 (August 2015) by Konstanty Kuzma
Konstanty Kuzma tries to explain the appeal of Temur Babluani’s seamless classic.

Nicolae Constantin Tănase’s The World Is Mine (Lumea e a mea, 2015)

Vol. 55 (July 2015) by Konstanty Kuzma
Konstanty Kuzma saw his friend Nicolae Constantin Tanase’s debut feature.
Page 4 of 15« First...345610...Last »