Fatih Akin's latest film follows the fate of an Armenian family separated in the course of Ottoman purges. Politically, the film caused an uproar, but what about its artistic appeal?
Konstanty Kuzma discusses whether this Polish classic can be seen as a work of Enlightenment, whether it counts as surrealist and what these two opposing mindsets have in common.
Konstanty Kurma's comparison of two recent Polish films makes him wonder why freedom and democracy made Polish cinema more dogmatic than it previously was.
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