Konstanty Kuzma

Mariusz Pujszo’s Polish Kitsch Project (Polisz Kicz Projekt, 2003)

How do you make a film with no money, no screenplay, and no directorial skills?

Konstanty Kuzma compares Escape from 'Liberty' Cinema (Poland, 1990) to Woody Allen's Purple Rose from Cairo.

Şerban Tătaru speaks about his film, the Romanian New Wave, working in Germany, and Romanian documentaries.

Romanian filmmaker Şerban Oliver Tătaru rethinks his family's move to Germany during his teenage years.

Konstanty Kuzma retraces Nimród Antal’s career from ambitious beginnings to a conventional Hollywood career.

Czech New Wave actor Jan Kačer speaks about his career, the political climate in the 1960s, and his collaboration with Evald Schorm.

Konstanty Kuzma argues that Evald Schorm's 1969 film fails to refer to its allegorical target, the Prague Spring.

In this Hungarian film by Ildikó Enyedi, Dorothy Segda takes on the roles of two sisters whose dissimilar lifestyles illustrate modernity's polarity.

Konstanty Kuzma saw Benedek Fliegauf’s English-language debut.

Konstanty Kuzma met Pálfi to speak to him about his directorial style, the problems of political filmmaking, and where he sees Hungary today.