Konstanty Kuzma

Veiko Ounpuu’s Free Range (Free Range – Ballaad maailma heakskiitmisest, 2013)

This Estonian film from 2013 revolves around a young, troubled writer.

In Levan Koguashvili’s second feature, a fortysomething school teacher struggles to get his life together.

How do you make a film with no money, no screenplay, and no directorial skills?

Konstanty Kuzma compares Escape from 'Liberty' Cinema (Poland, 1990) to Woody Allen's Purple Rose from Cairo.

Şerban Tătaru speaks about his film, the Romanian New Wave, working in Germany, and Romanian documentaries.

Romanian filmmaker Şerban Oliver Tătaru rethinks his family's move to Germany during his teenage years.

Konstanty Kuzma retraces Nimród Antal’s career from ambitious beginnings to a conventional Hollywood career.

Czech New Wave actor Jan Kačer speaks about his career, the political climate in the 1960s, and his collaboration with Evald Schorm.

Konstanty Kuzma argues that Evald Schorm's 1969 film fails to refer to its allegorical target, the Prague Spring.

In this Hungarian film by Ildikó Enyedi, Dorothy Segda takes on the roles of two sisters whose dissimilar lifestyles illustrate modernity's polarity.