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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Sergei Loban’s Chapiteau-show (Shapito Shou, 2011)

Vol. 23 (November 2012) by Moritz Pfeifer
In Sergei Loban's 3-and-a-half hour piece, 4 seperate stories intersect unexpectedly...
Review

Přemysl Pražský’s Prague Seamstresses (Pražské švadlenky, 1929)

Vol. 22 (October 2012) by Moritz Pfeifer
Přemysl Pražský’s 1929 intricate comedy revolves around the faith of a young, single woman.
Essay

Vassily Sigarev’s Wolfy (Volchok, 2010)

Vol. 21 (September 2012) by Moritz Pfeifer
Moritz Pfeifer analyzes the birch tree as a representation of contemporary Russian directors' search for mysticism.
Review

Hermína Týrlová’s Les contes de la ferme (1972)

Vol. 20 (August 2012) by Moritz Pfeifer
Hermína Týrlová is considered one of the founders of Czech animation films...
Interview

Sergei Loznitsa on his Work

Vol. 17 (May 2012) by Moritz Pfeifer
Russian director Sergei Loznitsa speaks about the political dimension of his work, and his upcoming feature In the Fog that will compete for the Palme d’Or in Cannes.
Essay

Sergei Loznitsa’s Artel (2006) & Northern Light (Severnyy Svet, 2008)

Vol. 17 (May 2012) by Moritz Pfeifer
Moritz Pfeifer saw two documentary shorts by Sergei Loznitsa.
Essay

Sergei Loznitsa’s Portret (2002), Peyzazh (2003)

Vol. 16 (April 2012) by Moritz Pfeifer
Moritz Pfeifer discusses Loznitsa’s Portrait and Landscape, two films that offer different perspectives on rural Russia.
Review

Sergei Loznitsa’s Segodnya My Postroim Dom (1996), Zhizn, Osen (1998), Polustanok (2000)

Vol. 16 (April 2012) by Moritz Pfeifer
Moritz Pfeifer discusses Sergei Loznitsa’s first three films.
Review

Bojan Vuletić’s A Practical Guide to Belgrade with Singing and Crying (Prakticni vodic kroz Beograd sa pevanjem i plakanjem, 2011)

Vol. 16 (April 2012) by Moritz Pfeifer
Vuletić's episodic comedy is wrapped as a tourist guide for Belgrade, but seems to be more useful to Serbs than to foreigners.
Review

Srđan Keča’s A Letter to Dad (Pismo ocu, 2011)

Vol. 16 (April 2012) by Moritz Pfeifer
Serbian director Srđan Keča writes a letter to his deceased father.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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