Bojana Burnać’s My Life Without Air (Moj život bez zraka, 2017)

Vol. 77 (September 2017) by Konstanty Kuzma
Bojana Burnać dives into free diving, an extreme underwater sport.

Robert Kirchhoff’s A Hole in the Head (2016)

Vol. 75 (May 2017) by Jack Page
Kirchhoff’s documentary essay about the Romani holocaust stresses the right to resist the erasure of traumatic artifacts.

Goran Škofić’s Sector (2015) & Elena Artemenko’s Soft Power (2016)

Vol. 70 (December 2016) by Rohan Crickmar
Sector and Soft Power use choreography as a metaphor for cohesion and division respectively.

Dalibor Barić’s Nepoznate energije, neidentificirani osjećaji (2015)

Vol. 70 (December 2016) by Rohan Crickmar
In his most ambitious animation to-date, Dalibor Barić explores the limits of formal and narrative experimentation.

Ana Hušman’s Almost Nothing (2016) & Péter Lichter’s Non-Places: Beyond the Infinite (2016)

Vol. 70 (December 2016) by Rohan Crickmar
A Hungarian film infused with philosophical obsessions with decay and Ana Hušman’s latest work both dwell upon what is absented from vision.

Dalibor Matanić’s The High Sun (Zvizdan, 2015)

Vol. 59 (November 2015) by Moritz Pfeifer
Unlike his postmodern peers, Dalibor Matanić embraces the emotional burden of the Balkan wars in his Cannes-selected feature.

Nevio Marasovic on Vis-à-vis

Vol. 42 (June 2014) by Konstanty Kuzma
Croatian helmer Nevio Marasović speaks about Vis-à-vis, his second feature film.

Nevio Marasovic’s Vis-à-vis (2013)

Vol. 42 (June 2014) by Konstanty Kuzma
A director and his actor travel to an island to work on the script for their next project.

Vinko Brešan’s The Priest’s Children (Svećenikova djeca, 2013)

Vol. 40 (April 2014) by Julia Zelman
Vinko Brešan’s film starts as ludic and ends as lugubrious. Fabijan, a young priest, eagerly seeks to find his place in an idyllic Croatian island town...

Ivan Ladislav Galeta on his Work

Vol. 26 (February 2013) by Editors
We met Croatian media artist Ivan Ladislav Galeta at the Centre Pompidou, where he showcased some of his works.
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