• Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
  • Search
Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Béla Tarr’s Prologue (2004)

Vol. 25 (January 2013) by Anastasia Eleftheriou
This segment from Hungarian director Béla Tarr was part of the cooperative Visions of Europe project (2004).
Essay

Karoly Makk’s Love (Szerelem, 1971)

Vol. 25 (January 2013) by Konstanty Kuzma
Konstanty Kuzma compares Karoly Makk's 1971 film with Michael Haneke's Amour and Ulrich Seidl's Paradise: Love.
Review

André de Toth’s Crime Wave (1954)

Vol. 25 (January 2013) by Patricia Bass
Patricia Bass saw this film noir from Hungarian director André De Toth.
Essay

Some Ideas on the Meaning of Béla Tarr’s Animals

Vol. 25 (January 2013) by Moritz Pfeifer
Why would animals make someone stop filming? Moritz Pfeifer talks about Béla Tarrs curious relationship with animals.
Review

Benedek Fliegauf’s Just the Wind (2012)

Vol. 19 (July 2012) by Ana Ribeiro
Benedek Fliegauf's drama focuses on a Gipsy family living in a small Hungarian village.
Review

Dušan Makavejev’s Love Affair, or the Case of the Missing Switchboard Operator (Ljubavni slučaj ili tragedija službenice P.T.T., 1967)

Vol. 14 (February 2012) by Konstanty Kuzma
Konstanty Kuzma saw Dušan Makavejev’s provocative 1967 feature.
Review

Szabolcs Hajdu’s Bibliotheque Pascal (2010)

Vol. 13 (January 2012) by Konstanty Kuzma
Konstanty Kuzma saw Szabolcs Hajdu's tour de force, in which a woman's recollections of her time as a prostitute merge with surrealist fantasies.
Review

Peter Bacsó’s The Witness (A Tanu, 1969)

Vol. 5 (May 2011) by Colette de Castro
This film was banned in Hungary from 1969 to 1981. Set in the 1950s, it portrays a corrupt and deceitful system of government.
Interview

Béla Tarr on The Turin Horse

Vol. 2 (February 2011) by Konstanty Kuzma
We spoke to Béla Tarr about his most recent film before its premiere at the Berlinale, where he was awarded the Jury Grand Prix.
Review

Béla Tarr’s The Turin Horse (A Torinói Loi, 2010)

Vol. 2 (February 2011) by Konstanty Kuzma
Béla Tarr's epic The Turin Horse is based on a true incident, though importantly it reconstructs what could have happened to its less important participants.
Page 6 of 6« First...«3456


The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

Pages

  • ABOUT
  • TEAM
  • CONTACT US
  • CONTRIBUTE
  • NEWSLETTER
  • SUPPORT US

© 2023 - EEFB - CONTACT - PRIVACY POLICY

This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy

Privacy Overview

This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are as essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary
Always Enabled
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
SAVE & ACCEPT