Marian Crişan on Morgen

Vol. 4 (April 2011) by Konstanty Kuzma
Crişan speaks about what makes his film Romanian.

Marian Crişan’s Morgen (2010)

Vol. 4 (April 2011) by Konstanty Kuzma
Marian Crişan uses immigration as a backdrop for a character-driven drama.

Arielle Javitch’s Look, Stranger (2010)

Vol. 4 (April 2011) by Moritz Pfeifer
Look, Stranger is the story of a refugee who tries to find her way back home in an indistinct country at war.

Alexandru Maftei’s Hello, How Are You? (Buna! Ce faci?, 2010)

Vol. 4 (April 2011) by Moritz Pfeifer
This film tells the story of a husband and wife who each have a secret affair on the internet.

Jerzy Skolimowski’s Essential Killing (2010)

Vol. 4 (April 2011) by Moritz Pfeifer
Vincent Gallo plays a political prisoner who escapes into the wild forests when being transported through Eastern Europe.

Andrei Ujică’s Autobiography of Ceauşescu (Autobiografia lui Nicolae Ceauşescu, 2010)

Vol. 4 (April 2011) by Moritz Pfeifer
Autobiography of Ceauşescu is the last part of Andrei Ujică's trilogy on the fall of Communist Europe.

Michael Francis Gibson on The Mill and the Cross

Vol. 3 (March 2011) by Editors
We met Michael Gibson, the screenwriter of Lech Majewski's film, in Paris.

Corneliu Porumboiu’s Police, Adjective (Politist, adjectiv, 2009)

Vol. 3 (March 2011) by Moritz Pfeifer
A police officer has to confront the menacing methods of his superiors.

Tudor Giurgiu’s Lovesick (Legături Bolnăvicioase, 2006)

Vol. 3 (March 2011) by Moritz Pfeifer
Love Sick tells the story of a taboo breaking relationship.

Milcho Manchevski’s Mothers (Majki, 2010)

Vol. 3 (March 2011) by Claire Bonnefoy
Director Milcho Manchevski discusses the meaning of truth in three episodes that share a common motive.
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