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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Elżbieta Benkowska’s, Łukasz Ostalski’s and Michał Wawrzecki’s New World (Nowy Świat, 2015)

Vol. 64 (April 2016) by Julia Zelman
Julia Zelman unveils how the collaborative feature New World challenges discrimination against migrants.
Essay

Karolina Bielawska’s Call me Marianna (2015), Oleg Mavromati’s No Place for Fools (2015), Alina Rudnistkaya’s Victory Day (2015)

Vol. 64 (April 2016) by Susanne Kappesser
Susanne Kappesser looks at these three films that deal with gender and heteronormativity.
Review

Petr Kazda and Tomas Weinreb’s I, Olga Hepnarova (Já, Olga Hepnarová, 2016)

Vol. 63 (March 2016) by Rohan Crickmar
I, Olga Hepnarova is a masterfully shot slow-burner about an unlikely murderer.
Review

Andrzej Żuławski’s Cosmos (2015)

Vol. 60 (December 2015) by Colette de Castro
Andrzej Żuławski’s film is more reminiscent of his son Xawery’s exuberant style than of the Gombrowicz novel it is allegedly based on.
Review

Jacek Petrycki’s My Notes from the Underground (Moje zapiski z podziemia, 2011)

Vol. 59 (November 2015) by Moritz Pfeifer
Moritz Pfeifer saw Jacek Petrycki's archival documentary about Polish underground resistance during martial law.
Review

Jerzy Skolimowski’s 11 Minutes (11 minut, 2015)

Vol. 59 (November 2015) by Moritz Pfeifer
Jerzy Skolimowski's latest film is a multi-strand thriller which ends in rampage and confusion.
Essay

Transitioning Between Televisions

Vol. 54 (June 2015) by Rohan Crickmar
Rohan Crickmar examines the Agnieszka Holland's transnational ties with the TV industry.
Interview

Agnieszka Holland on European Cinema

Vol. 52 (April 2015) by Moritz Pfeifer
We met Polish director Agnieszka Holland during the L'Europe autour de l'Europe festival in Paris.
Essay

Agnieszka Holland’s Total Eclipse (1995)

Vol. 52 (April 2015) by Paulina Duda
Paulina Duda takes a fresh look at Holland's rendering of the love affair between two famous French poets but bemoans the lack of cinematographic poetry in the movie.
Review

Maciej Bochniak’s Disco Polo (2015)

Vol. 52 (April 2015) by Paulina Duda
Paulina Duda criticizes this Polish comedy for copying US-American humor and aesthetics.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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