• Perspectives
  • Retrospectives
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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE

Perspectives
The latest in Central, Eastern and South-Eastern European cinema.

Review

Maria Yatskova’s Miss Gulag (2007)

Vol. 108 (October 2020) by Antonis Lagarias
Can this film about a Siberian prison for female offenders unveil the unseen?
Review

Sergei Loznitsa’s State Funeral (Gosudarstvennyye Pokhorony, 2019)

Vol. 108 (October 2020) by Colette de Castro
Sergei Loznitsa created a counter-documentary of Joseph Stalin's death in 1953 out of original propaganda footage.
Review

Yarema Malashchuk and Roman Himey’s New Jerusalem (Zarvantisia, 2019)

Vol. 108 (October 2020) by Colette de Castro
This documentary portrays a yearly pilgrimage in Ukraine.
Review

Jessica Oreck’s One Man Dies A Million Times (2019)

Vol. 108 (October 2020) by Jack Page
A hybrid between historical film and sci-fi fiction, this film transports the siege of Leningrad to the future.
Review

Bohdan Sláma’s Shadow Country (Krajina ve stínu, 2020)

Vol. 108 (October 2020) by Isabel Jacobs
Bohdan Sláma depicts the moral downfall of a Czech village following WWII.
Review

Daria Onyshchenko’s The Forgotten (Zabuti, 2019)

Vol. 108 (October 2020) by Colette de Castro
Daria Onyshchenko dramatizes the fate of the internally displaced in Ukraine.
Review

Małgorzata Szumowska and Michał Englert’s Never Gonna Snow Again (Śniegu już nigdy nie będzie, 2020)

Vol. 108 (October 2020) by Jack Page
A mysterious stranger brings peace to Warsaw's restless bourgeoisie.
Review

Maxim Pechersky’s The Year of the White Moon (God beloy luni, 2020)

Vol. 107 (September 2020) by Yann Kaci
This experimental short addresses intergenerational divides within Russian society.
Review

Ismail Safarali’s I Still Must Watch You Turn To Stone (Smotret, kak ty prevrashaeshsya v kamen, 2020)

Vol. 107 (September 2020) by Phil Hobbins-White
This dreamy short explores connections between different peoples, as well as between humans and nature.
Review

Alexandra Karelina’s Last Words (Poslednie slova, 2020)

Vol. 107 (September 2020) by Anna Doyle
Alexandra Karelina's experimental short raises questions concerning our relation to objects.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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