• Perspectives
  • Retrospectives
  • Interviews
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  • ARCHIVE
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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Interview

Bojan Vuletić on Requiem for Mrs. J

Vol. 73 (March 2017) by Zoe Aiano
Vuletić reveals what inspired him to make his film, and whether he thinks there really is a place for optimism in his bleak vision of post-Yugoslav reality.
Review

Teona Strugar Mitevska’s When the Day Had no Name (2017)

Vol. 73 (March 2017) by Carlos Kong
Teona Strugar Mitevska dramatizes a recent Macedonian hate-crime.
Review

Bojan Vuletić’s Requiem for Mrs. J (Rekvijem za gospođu J., 2017)

Vol. 73 (March 2017) by Zoe Aiano
Bojan Vuletić’s feature offers a bleak vision of post-Yugoslav reality.
Review

Faton Bajraktari’s Home Sweet Home (2016)

Vol. 71 (January 2017) by Kaj Van Zoelen
This clever, Kosovar picture deconstructs the myth of the modern soldier.
Review

Goran Škofić’s Sector (2015) & Elena Artemenko’s Soft Power (2016)

Vol. 70 (December 2016) by Rohan Crickmar
Sector and Soft Power use choreography as a metaphor for cohesion and division respectively.
Review

Dalibor Barić’s Nepoznate energije, neidentificirani osjećaji (2015)

Vol. 70 (December 2016) by Rohan Crickmar
In his most ambitious animation to-date, Dalibor Barić explores the limits of formal and narrative experimentation.
Review

Ana Hušman’s Almost Nothing (2016) & Péter Lichter’s Non-Places: Beyond the Infinite (2016)

Vol. 70 (December 2016) by Rohan Crickmar
A Hungarian film infused with philosophical obsessions with decay and Ana Hušman’s latest work both dwell upon what is absented from vision.
Review

Sofia Exarchou’s Park (2016)

Vol. 68 (October 2016) by Jack Page
Sofia Excarchou examines the aftermath of Greece's ongoing, economic crisis through a story revolving around children.
Review

Emir Kusturica’s On the Milky Road (Na mlečnom putu, 2016)

Vol. 68 (October 2016) by Zoe Aiano
His latest strike proves once again that Kusturica is unwilling to bow to the rules of logic and good taste.
Essay

France Štiglic’s Valley of Peace (Dolina Miru, 1956)

Vol. 66 (Summer 2016) by Clarence Tsui
Clarence Tsui retraces the unlikely historical background of this 1956 Yugoslav drama.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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