Balkans

Faton Bajraktari’s Home Sweet Home (2016)

This clever, Kosovar picture deconstructs the myth of the modern soldier.

Sector and Soft Power use choreography as a metaphor for cohesion and division respectively.

In his most ambitious animation to-date, Dalibor Barić explores the limits of formal and narrative experimentation.

A Hungarian film infused with philosophical obsessions with decay and Ana Hušman’s latest work both dwell upon what is absented from vision.

Sofia Excarchou examines the aftermath of Greece's ongoing, economic crisis through a story revolving around children.

His latest strike proves once again that Kusturica is unwilling to bow to the rules of logic and good taste.

Clarence Tsui retraces the unlikely historical background of this 1956 Yugoslav drama.

In this autobiographical documentary, Vladimir Tomić relates the refugee crisis to the refugees of the Balkan wars.

Moritz Pfeifer saw two films that deal with “Othering” through aspects of grief.

Nikola Ljuca unmasks the hypocrisy of Serbia’s elite in his compelling feature.