• Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
  • Search
Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Interview

Kees Bakker on Baltic Cinema

Vol. 21 (September 2012) by Colette de Castro
Kees Bakker, programmer of the Lussas Film Festival, talks about this year’s Baltic films at the états généraux du film documentaire festival.
Essay

Vassily Sigarev’s Wolfy (Volchok, 2010)

Vol. 21 (September 2012) by Moritz Pfeifer
Moritz Pfeifer analyzes the birch tree as a representation of contemporary Russian directors' search for mysticism.
Review

Silviu Purcarete’s Somewhere in Palilula (Undeva la Palilula, 2008)

Vol. 21 (September 2012) by Alina Popescu
Somewhere in Palilula is Romanian theater figure Silviu Purcarete’s surrealist debut feature.
Review

Emir Kusturica’s Maradona by Kusturica (2008)

Vol. 21 (September 2012) by Konstanty Kuzma
Konstanty Kuzma saw Emir Kusturica's pseudo-documentary.
Essay

Bogdan Dziworski’s Ski Scenes with Franz Klammer (1980), Classical Duel (1978), The Olympics (1978)

Vol. 21 (September 2012) by Colette de Castro
Colette de Castro finds common themes in three of Polish director Bogdan Dziworski's "sports" documentaries.
Review

Juris Podnieks’ Homeland (Krustceļš, 1990)

Vol. 21 (September 2012) by Colette de Castro
A political documentary from Latvian helmer Juris Podnieks about the folk festivals in the Baltic states.
Review

Goran Paskaljević’s The Dog Who Loved Trains (Pas koji je voleo vozove, 1977)

Vol. 20 (August 2012) by Konstanty Kuzma
Paskaljević’s film starts out on board of a prison train: tired of the relentless heat in the train cabins, a group of lighthearted female prisoners decide to take their clothes off...
Essay

Karel Kachyňa’s The Ear (Ucho, 1970)

Vol. 20 (August 2012) by Julia Zelman
The Ear is one of the most politically incendiary films to emerge from the Czechoslovak Young Wave.
Review

Hermína Týrlová’s Les contes de la ferme (1972)

Vol. 20 (August 2012) by Moritz Pfeifer
Hermína Týrlová is considered one of the founders of Czech animation films...
Review

Anca Damian’s Crulic – The Path to Beyond (Crulic – drumul spre dincolo, 2011)

Vol. 20 (August 2012) by Alina Popescu
Crulic is a Polish-Romanian co-production and the first animation directed by Anca Damian.
Page 91 of 109« First...102030«90919293»100...Last »


The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

Pages

  • ABOUT
  • TEAM
  • CONTACT US
  • CONTRIBUTE
  • NEWSLETTER
  • Support Us

© 2025 - EEFB - CONTACT - PRIVACY POLICY

This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy

Privacy Overview

This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are as essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary
Always Enabled
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
SAVE & ACCEPT