Angelina Nikonova’s Twilight Portrait (2011)

Vol. 9 (September 2011) by Moritz Pfeifer
In Angelina Nikonova’s feature, an upper-crust woman is crushed by Russian society. Will she take revenge or will she surrender?

Milcho Manchevski’s Mothers (Majki, 2010)

Vol. 3 (March 2011) by Claire Bonnefoy
Director Milcho Manchevski discusses the meaning of truth in three episodes that share a common motive.

Erika Hníková’s Matchmaking Mayor (Nesvatbov, 2010)

Vol. 3 (March 2011) by Colette de Castro
In Matchmaking Mayor, a mayor tries to increase the population of his village.

Anca Lăzărescu on Silent River

Vol. 2 (February 2011) by Colette de Castro
We met Anca Lăzărescu in Berlin to speak to her about the emergence of the project, her main characters, and possible political references in the film.

Cristi Iftime and Anca Buja on 15th of July

Vol. 2 (February 2011) by Colette de Castro
Cristi Iftime and co-writer Anca Buja speak about their short film 15th of July.

Béla Tarr on The Turin Horse

Vol. 2 (February 2011) by Konstanty Kuzma
We spoke to Béla Tarr about his most recent film before its premiere at the Berlinale, where he was awarded the Jury Grand Prix.

Béla Tarr’s The Turin Horse (A Torinói Loi, 2010)

Vol. 2 (February 2011) by Konstanty Kuzma
Béla Tarr's epic The Turin Horse is based on a true incident, though importantly it reconstructs what could have happened to its less important participants.

Jan Komasa’s Suicide Room (Sala Samobojcow, 2011)

Vol. 2 (February 2011) by Konstanty Kuzma
Jan Komasa enters into the lives of suicidal people who meet online to share their feelings with fellow-minded souls.

Anca Lăzărescu’s Silent River (Apele Tac, 2010)

Vol. 2 (February 2011) by Colette de Castro
Two young men want to escape Communist Romania in this short by Anca Lăzărescu.

Berlinale 2011

Vol. 2 (February 2011) by Editors
Live coverage from the 61st Berlin International Film Festival (February 10-20).
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