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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Peter Bebjak’s The Line (Čiara, 2017)

Vol. 83 (March 2018) by Konstanty Kuzma
This Slovak-Ukrainian co-production picks up two themes whose relevance has only increased since its release last year.
Festival

Karlovy Vary 2017

Vol. 76 (Summer 2017) by Editors
Live coverage from the 52nd Karlovy Vary International Film Festival (June 30-July 8).
Review

Valeska Grisebach’s Western (2017)

Vol. 76 (Summer 2017) by Zoe Aiano
Valeska Grisebach challenges classic East-West cultural imperialist hierarchy.
Review

Václav Kadrnka’s Little Crusader (Křižáček, 2017)

Vol. 76 (Summer 2017) by Zoe Aiano
Václav Kadrnka’s crafty feature is a visual meditation on the Crusades.
Review

Krzysztof Krauze and Joanna Kos-Krauze’s Birds Are Singing in Kigali (Ptaki śpiewają w Kigali, 2017)

Vol. 76 (Summer 2017) by Zoe Aiano
In their last joint project, directing duo Joanna Kos-Krauze and Krzysztof Krauze return to the Rwandan genocide against the backdrop of the current rise of the right.
Review

Tereza Nvotová’s Filthy (Špína, 2017)

Vol. 74 (April 2017) by Konstanty Kuzma
Tereza Nvotová takes on the sensitive issue of rape.
Interview

Bojan Vuletić on Requiem for Mrs. J

Vol. 73 (March 2017) by Zoe Aiano
Vuletić reveals what inspired him to make his film, and whether he thinks there really is a place for optimism in his bleak vision of post-Yugoslav reality.
Review

Greg Zgliński’s Tiere (Animals, 2017)

Vol. 73 (March 2017) by Rohan Crickmar
Polish-Swiss filmmaker Greg Zglinski communes with the spirits of the dead.
Review

Bojan Vuletić’s Requiem for Mrs. J (Rekvijem za gospođu J., 2017)

Vol. 73 (March 2017) by Zoe Aiano
Bojan Vuletić’s feature offers a bleak vision of post-Yugoslav reality.
Review

Nana Ekvtimishvili and Simon Gross’ My Happy Family (Chemi bednieri ojakhi, 2017)

Vol. 72 (February 2017) by Zoe Aiano
This Georgian feature tells the story of a family woman and her sudden urge to live an independent life.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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