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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Maxim Pechersky’s The Year of the White Moon (God beloy luni, 2020)

Vol. 107 (September 2020) by Yann Kaci
This experimental short addresses intergenerational divides within Russian society.
Review

Ismail Safarali’s I Still Must Watch You Turn To Stone (Smotret, kak ty prevrashaeshsya v kamen, 2020)

Vol. 107 (September 2020) by Phil Hobbins-White
This dreamy short explores connections between different peoples, as well as between humans and nature.
Review

Alexandra Karelina’s Last Words (Poslednie slova, 2020)

Vol. 107 (September 2020) by Anna Doyle
Alexandra Karelina's experimental short raises questions concerning our relation to objects.
Review

Anya Tsyrlina’s All Other Things Equal (2020) & Olya Korsun’s Blue Rose (Sinyaya roza, 2020)

Vol. 107 (September 2020) by Zoe Aiano
These two experimental films examine our attitude towards the past by playfully deploying visual nostalgia.
Review

Ivan Ramljak’s Once Upon a Youth (O jednoj mladosti, 2020)

Vol. 107 (September 2020) by Isabel Jacobs
Ivan Ramljak’s collage-film catapults the viewer into the heart of Zagreb’s underground scene in the late 1990s and early 2000s.
Review

Andrey A. Tarkovsky’s A Cinema Prayer (2019)

Vol. 106 (Summer 2020) by Isabel Jacobs
In this bio-documentary, Andrey Tarkovsky's son continues nurturing the cult around his father's legacy.
Review

Marko Djordjević’s My Morning Laughter (Moj jutarnji smeh, 2019)

Vol. 106 (Summer 2020) by Mariana Hristova
Marko Djordjević turns to the phenomenon of "mummy's boys" on the Balkans.
Review

Artem Aisagaliev’s Babai (2019)

Vol. 106 (Summer 2020) by Jack Page
Artem Aisagaliev portrays two brothers and their way of coping with the hardships of everyday life.
Review

Masha Novikova’s Daymohk (2019)

Vol. 106 (Summer 2020) by Patricia Bass
A Chechen family's rags-to-riches story is taken with a grain of salt.
Review

David Teboul’s Mon Amour (2020)

Vol. 106 (Summer 2020) by Colette de Castro
A French filmmaker revisits a past love in the Far East.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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