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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Kantemir Balagov’s Closeness (Tesnota, 2017)

Vol. 80 (December 2017) by Daniil Lebedev
A family must find a way of saving their newlywed son who is kidnapped along with his wife in this Kabardo-Jewish drama.
Review

Roland Vranik’s The Citizen (Az állampolgár, 2016)

Vol. 80 (December 2017) by Anna Batori
This Hungarian feature tries to make debates about the refugee crisis emotionally accessible.
Review

Kasia Rosłaniec’s Satan Said Dance (Szatan kazał tańczyć, 2016)

Vol. 80 (December 2017) by Jack Page
Kasia Rosłaniec's experimental feature depicts the life of an imaginary writer of the "Selfie" generation through 2-minute sequences.
Review

Hanna Slak’s The Miner (Rudar, 2017)

Vol. 80 (December 2017) by Ana Grgić
Hanna Slak returns to two tragic events in the history of 20th century Europe.
Review

Wiktor Grodecki’s Not Angels But Angels (1994)

Vol. 79 (November 2017) by Alice Heneghan
Alice Heneghan revisits Wiktor Grodecki's 1994 feature about male prostitutes in Prague.
Review

Cristi Iftime’s Marita (Marița, 2017)

Vol. 79 (November 2017) by Jack Page
Jack Page reviews Cristi Iftime's latest film, which revolves around the dysfunctional relationship between a father and his son.
Review

Tereza Nvotová’s The Lust for Power (Mečiar, 2017)

Vol. 79 (November 2017) by Zoe Aiano
Tereza Nvotová opens up a subjectivist perspective on Slovak politics.
Review

Tetiana Khodakivska and Oleksandr Stekolenko’s Enticing, Sugary, Boundless or Songs and Dances about Death (Manliviy, solodkiy, bez mezh ili písní í tantsí pro smert, 2017)

Vol. 79 (November 2017) by Zoe Aiano
Tetiana Khodakivska and Oleksandr Stekolenko’s film is an unequal trilogy on the theme of death.
Review

Metodi Andonov’s The Goat Horn (Koziyat rog, 1972)

Vol. 78 (October 2017) by Yoana Pavlova
What does this Bulgarian classic have to offer beyond its shock aesthetics?
Review

Petr Václav’s Skokan (2017)

Vol. 77 (September 2017) by Colette de Castro
Petr Václav pulls his favorite actor out of jail and into a story of anarchy and adventure.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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