Ivan Tverdovsky on Corrections Class

Vol. 47 (November 2014) by Anastasia Eleftheriou
We met Ivan Tverdovsky and talked to him about the production process of his new film and the Russian educational system.

Three Docu-Fictions by Želimir Žilnik

Vol. 47 (November 2014) by Anastasia Eleftheriou
Anastasia Eleftheriou looks at three of Želimir Žilnik's so-called docu-fictions.

Kornél Mundruczó’s White God (Fehér Isten, 2014)

Vol. 47 (November 2014) by Anastasia Eleftheriou
A girl's beloved dog disappears when her dad abandons it in order to avoid extra taxes imposed on citizens owning mixed breeds.

Isa Qosja’s Three Windows and a Hanging (Tri Dritare dhe një Varje, 2014)

Vol. 47 (November 2014) by Anastasia Eleftheriou
This Kosovan film about the discrimination against rape victims is courageous, yet ambiguous in its final message.

Ivan Tverdovsky’s Corrections Class (Class Correktsi, 2014)

Vol. 47 (November 2014) by Anastasia Eleftheriou
Anastasia Eleftheriou praises this film’s astute views on authoritarian education but takes issue with the film’s ending.

Myroslav Slaboshpytskiy’s The Tribe (Plemya, 2014)

Vol. 46 (October 2014) by Anastasia Eleftheriou
In her review of The Tribe, Anastasia Eleftheriou pays special attention to the film's choreographic aspects.

Kaveh Bahtiari’s L’Escale (Stop-Over, 2013)

Vol. 36 (December 2013) by Anastasia Eleftheriou
This masterly documentary accompanies the lives of clandestine immigrants living in an appartment in Athens.

Lyubov Arkus’s Anton’s Right Here (Anton tut ryadom, 2012)

Vol. 30 (June 2013) by Anastasia Eleftheriou
Lyubov Arkus documents her relationship with an autistic teenager.

Denis Klebleev on 31st Haul

Vol. 27 (March 2013) by Anastasia Eleftheriou
Anastasia Eleftheriou met Denis Klebleev during the Cinéma du Réel to talk with him about his new film.

Alexander Abaturov on Sleeping Souls

Vol. 27 (March 2013) by Anastasia Eleftheriou
Alexander Abaturov speaks about his experience of shooting the elections in Siberia.
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