• Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
  • Search
Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Arielle Javitch’s Look, Stranger (2010)

Vol. 4 (April 2011) by Moritz Pfeifer
Look, Stranger is the story of a refugee who tries to find her way back home in an indistinct country at war.
Review

Alexandru Maftei’s Hello, How Are You? (Buna! Ce faci?, 2010)

Vol. 4 (April 2011) by Moritz Pfeifer
This film tells the story of a husband and wife who each have a secret affair on the internet.
Review

Jerzy Skolimowski’s Essential Killing (2010)

Vol. 4 (April 2011) by Moritz Pfeifer
Vincent Gallo plays a political prisoner who escapes into the wild forests when being transported through Eastern Europe.
Review

Andrei Ujică’s Autobiography of Ceauşescu (Autobiografia lui Nicolae Ceauşescu, 2010)

Vol. 4 (April 2011) by Moritz Pfeifer
Autobiography of Ceauşescu is the last part of Andrei Ujică's trilogy on the fall of Communist Europe.
Review

Corneliu Porumboiu’s Police, Adjective (Politist, adjectiv, 2009)

Vol. 3 (March 2011) by Moritz Pfeifer
A police officer has to confront the menacing methods of his superiors.
Review

Tudor Giurgiu’s Lovesick (Legături Bolnăvicioase, 2006)

Vol. 3 (March 2011) by Moritz Pfeifer
Love Sick tells the story of a taboo breaking relationship.
Essay

František Vláčil’s Marketa Lazarová (1967)

Vol. 3 (March 2011) by Moritz Pfeifer
In his essay, Moritz Pfeifer reflects on the beauty of violence.
Review

František Vláčil’s The Valley of the Bees (Údolí včel, 1968)

Vol. 2 (February 2011) by Moritz Pfeifer
František Vláčil's classic is a parable about political oppression.
Review

Lech Majewski’s The Mill and the Cross (2010)

Vol. 2 (February 2011) by Moritz Pfeifer
Lech Majewski's The Mill and the Cross is a cinematic version of the famous Brueghel painting.
Review

Radu Muntean’s The Paper Will Be Blue (Hirtia va fi albastra, 2006)

Vol. 1 (January 2011) by Moritz Pfeifer
Radu Muntean's film follows a military unit in Bucharest on the night of the Romanian Revolution of 1989.
Page 15 of 16« First...10«13141516»


The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

Pages

  • ABOUT
  • TEAM
  • CONTACT US
  • CONTRIBUTE
  • NEWSLETTER
  • Support Us

© 2025 - EEFB - CONTACT - PRIVACY POLICY

This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy

Privacy Overview

This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are as essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary
Always Enabled
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
SAVE & ACCEPT