Corneliu Porumboiu’s Police, Adjective (Politist, adjectiv, 2009)

Vol. 3 (March 2011) by Moritz Pfeifer
A police officer has to confront the menacing methods of his superiors.

Tudor Giurgiu’s Lovesick (Legături Bolnăvicioase, 2006)

Vol. 3 (March 2011) by Moritz Pfeifer
Love Sick tells the story of a taboo breaking relationship.

František Vláčil’s Marketa Lazarová (1967)

Vol. 3 (March 2011) by Moritz Pfeifer
In his essay, Moritz Pfeifer reflects on the beauty of violence.

František Vláčil’s The Valley of the Bees (Údolí včel, 1968)

Vol. 2 (February 2011) by Moritz Pfeifer
František Vláčil's classic is a parable about political oppression.

Lech Majewski’s The Mill and the Cross (2010)

Vol. 2 (February 2011) by Moritz Pfeifer
Lech Majewski's The Mill and the Cross is a cinematic version of the famous Brueghel painting.

Radu Muntean’s The Paper Will Be Blue (Hirtia va fi albastra, 2006)

Vol. 1 (January 2011) by Moritz Pfeifer
Radu Muntean's film follows a military unit in Bucharest on the night of the Romanian Revolution of 1989.

Dan Piţa’s Sand Cliffs (Faleze de Nisip, 1983)

Vol. 1 (January 2011) by Moritz Pfeifer
Dan Piţa's 1983 movie tells the disconcerting story of a false accusation of theft.

Jasmila Žbanić’s On the Path (Na Putu, 2010)

Vol. 1 (January 2011) by Moritz Pfeifer
Jasmila Žbanić's second feature film depicts the break-up of a young couple.

Marcin Wrona’s My Flesh, My Blood (Moja krew, 2009)

Vol. 1 (January 2011) by Moritz Pfeifer
Marcin Wrona's film revolves around the relationship between a dying boxer and a young Vietnamese immigrant.
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