Editorial
The job of editing film essays and even reviews can be unrewarding. An editor may spend hours guessing the intentions behind a text, polishing vocabulary and twisting sentences so that they still sound like those of the author. A good editor is like a referee in a good tennis match – they stay unnoticed. Change...
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Vol. 141 (January 2024)
In his essay on the Polaroids of Andrei Tarkovsky, Gawan Fagard draws parallels between the ontology of the medium and the work of the Russian director.
Daniel Fuller looks at the way a Ukrainian computer game transfigured folkloric processes of remembering, drawing parallels to Andrei Tarkovsky’s Stalker.
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