Editorial
In his 2003 dissertation Regarding Film Festivals, Julian Stringer was one of the first to examine the “festival film” – a term used in press coverage at the time to refer to works tailored for festival selectors. In 2007, Marijke de Valck’s widely published Film Festivals: From European Geopolitics to Global Cinephilia, in which she...
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Vol. 150 (December 2024)
In his essay on the Polaroids of Andrei Tarkovsky, Gawan Fagard draws parallels between the ontology of the medium and the work of the Russian director.
Mircea Daneliuc, born in 1943, was one of the few Romanian filmmakers resisting the Communist system. Films like Microfone Test (1980) or The Cruise (1981) did not pass censorship for their ridiculing critique...
Daniel Fuller looks at the way a Ukrainian computer game transfigured folkloric processes of remembering, drawing parallels to Andrei Tarkovsky’s Stalker.
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