Editorial
Hollywood’s recent return to the eighties has become a genre of its own. Top Gun: Maverick (2022) proved that audiences would turn up for practical stunts and period hits, and the industry took note. The Fall Guy (2024), Beverly Hills Cop: Axel F (2024), and the Road House (2024) remake have each tried a version...Continue Reading{{catlist}}
In his essay on the Polaroids of Andrei Tarkovsky, Gawan Fagard draws parallels between the ontology of the medium and the work of the Russian director.
Mircea Daneliuc, born in 1943, was one of the few Romanian filmmakers resisting the Communist system. Films like Microfone Test (1980) or The Cruise (1981) did not pass censorship for their ridiculing critique...
Daniel Fuller looks at the way a Ukrainian computer game transfigured folkloric processes of remembering, drawing parallels to Andrei Tarkovsky’s Stalker.
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