Editorial
It is curious how much importance we attribute to rankings, even when, in more rational moments, we understand that whatever it is that is being rated cannot, in most cases, be represented by numbers, stars or thumbs. The first time most of us are confronted with this issue is in late elementary or early middle...
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Vol. 145 (May 2024)
Through this documentary set in her home country of Georgia, Maka Gogaladze raises issues of childrearing, education, and sociopolitical transformation.
In his essay on the Polaroids of Andrei Tarkovsky, Gawan Fagard draws parallels between the ontology of the medium and the work of the Russian director.
Daniel Fuller looks at the way a Ukrainian computer game transfigured folkloric processes of remembering, drawing parallels to Andrei Tarkovsky’s Stalker.
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